Opening Credits[]
Michael Shires Pictures
Presents
A
Edward S. Feldman
Production
A
Bo Welch
Film
Starring:
Jim Carrey
Wallace Shawn
Gérard Depardieu
and
Gene Wilder
Director of Photography
Alan Caso, A.S.C.
Film Editor:
Richard Pearson
Written by
Ken Kaufman
Story by
Brian Regan
Screenplay by
Noni White
Based on Oliver Twist by
Charles Dickens
Executive Producer:
Roy Edward Shires
Music by
Bruce Broughton
Produced by
Edward S. Feldman
Directed by
Bo Welch
Paul and Company
2
Closing Credits[]
Paul and Company
2
Co-Starring:
Ioan Gruffudd
Alice Evans
David Horovitch
Ian Richardson
Carol Macready
Ben Crompton
Ron Cook
and
John Derum
Associate Producer:
Rebekah Rudd
Scrolling Credits[]
Cast[]
| F***** | Jim Carrey |
| Bill Strikes | Wallace Shawn |
| Winkle the Parrot | Gene Wilder |
| Alfonso | Toby Jones |
| Dr. Pennines | David Horovitch |
| Mr. Thames QC | Ian Richardson |
| James-Pierce LePet | Gérard Depardieu |
| LePet's Assistant | John Derum |
| Keith Saradon | Ioan Gruffudd |
| Carol Sheridan | Alice Evans |
| Alicia | Carol MacReady |
| Elvin | Ben Crompton |
| Mr. Bottom | Ron Cook |
Second Unit Directors:
James Devis Dean Semler
Production Supervisor:
Ken Phillipson
Production Manager:
Thomas Musker
Production Co-ordinator:
Bernard Edwards
Production Design by
Maurice Nelson
Art Director
Doug Scheib
1st Assistant Director:
Andrea Taylor
Camera Operators:
Mike Genne Bob Stevens
Mike Brewster Martin Foley
Camera Assistant:
Paul Smith
Special Effects:
Roy Huckerby
Set Designers:
Timothy Galvin John P. Goldsmith
Geoffrey S. Grimsman Clare Scarpulla
Kathleen Sullivan Tim Eckel
Nancy Mickelberry Bruton Jones
Set Decorator:
Beth Rubino
Executive Music Producer:
Chris Mountain
Lighting Director:
Rob Kitzman
Camera Team:
Tony Etwell Ross Oglethorpe
Tristan Mullane
Grip:
Joe Smythe
Gaffer:
Sonny Burdis
Rigging Gaffe:
Mike Chambers
Continuity:
Elisabeth West
Online Editor:
Matthew Hall
Dubbing Mixer:
Ian Tapp
Script Supervisor: Lissa Ruben
Production Accountant: Alan Cassie
Supervising Art Director: Brian Bailey
Music Supervisor: Richard L. Wallace
Music Co-ordinator: James Davies
Second Assistant Director:
Richard Whelan Callum McDougall
Casting by
Michael Wallace
Stunts[]
| Stunt Coordinators: | Gary Jensen Billy Bates Bob Havice John Casino Ben P. Jensen Doug Coleman Ethan J. Jensen Liza Coleman Jennifer Lamb Peter Epstein Terry Leonard John Gillespie Cole McKay Solita Hanna Candi Orsini |
Visual Effects Film Crew[]
| Visual Effects Second Unit Directed by | Christopher Francis Woods |
| Director of Photography | Charles A. Schuman |
| First Assistant Camera | Richard Mosier |
| Second Assistant Camera | William Finger |
| Gaffer | Thomas Dodson |
| Best Boy Electric | Russell Talmadge Peace |
| Production Assistant | Alexander Eberts |
Second Unit Film Crew[]
| Director of Photography | James Devis |
| Unit Production Manager | Peter A. Runfolo |
| First Assistant Director | J. Alan Hopkins |
| Second Assistant Director | Cyndie Williams |
| Stunt Coordinator | Warren Stevens |
| Second Unit Art Director | Sarah E. Knowles |
| First Assistant Camera | Tony Hofmann John Cambria |
| Second Assistant Camera | Marilou Vetter |
| Key Grip | Thomas Cook |
| Best Boy Grip | William Hill |
| Dolly Grip | Charles Thomas Hinson |
| Gaffer | Steven Perry |
| Best Boy Electric | Mark Vogel |
| Sound Mixer | Whit Norris |
| Boom Operator | Bill Fibben |
| Costumers Eva Prappas | Layne Brightwell |
| Property Master | Doug White |
| Set Dresser | Bruce Seymour |
| Make-Up/Hair | Herita Jones |
| Script Supervisor | Cornelia Rogan |
| Production Assistants | Robert Albertell Matthew Zachary Hopkins David Eberts |
Visual Effects Department[]
| Compositor | Peter Webb |
| Software Development | Kevin Bjorke |
| Compositors | Ann Monn Sheena Duggal Shannon Noble Donna Tracy Martine Tomczyk Diane Piepol |
| Morph | Brian Jennings |
| Particle Animation | Darren Kiner |
| Concept/Matte Artist | Robert Scifo |
| Matte Artist | Jesse Silver |
| Digital Rotoscopers | Candace Lewis Edith Paul Roderick Schumacher Doyle Smith |
| Creative Supervisor | Valerie Lettera |
| Visual Effects Coordinators | Dawn Guinta Iiad Mamikunian |
| Department Manager | Jonathan Cornick |
| Systems Manager | William Besanceney |
| Data Managers | Roger Huynh Jim Tucker |
| Assistant Animator | Mitch Rosefelt |
| Production Assistants | Michael S. Pryor Susan Goldbas |
| Digital Film Scanning and Recording | Cinesite, Inc. |
Music[]
| Orchestrations by | Jonathan Sacks Irea Hearsden |
| Music Recorded and Mixeld by | Frank Wolf |
| Music Editor | Bruno C*** |
| Assistant Music Editor | Brenda Heins |
| Music Production Supervisor | Tom MacDougall |
| Music Production Manager | Andrew Page |
| Music Production Coordinator | Deniece LaRocca-Hall |
| Orchestra Contractor | Sandy De Crescent |
| Music Preparation | Jo Anne Kane Music Service |
| Assistant to Mr. Colombier | Jenny O'Grady |
| Score Mixers | Jonathan Allen |
Main and End Title Design by
Susan Bradley
Opticals and Titles by
Paific Titles
Visual Effects by
Industrial Light & Magic
and
Skywalker Sound
Grip and Lighting Equipment by
Lee Lighting Ltd.
Special Effects Company by
The Magic Center Company
and
Moving Picture Company
| Music Recording | ScreenMusic International |
| Voice Director | Andrea Romano |
| Mixer Supervisor | Thomas Claster |
| Music Created by | Robert Crissman |
| Sound Effects by | Wellington Productions, Inc. |
Sound[]
| Sound Designer | Gary Rydstrom |
| Re-Recording Mixers | Gregg Landaker |
| Sound Effects Editors | Teresa Eckton |
| Original Dialogue Mixers | Carlos Sotolongo Doc Kane |
| Supervising Sound Editor | Gary Rydstorm |
| ADR Recordist | Vince Caro |
| ADR Mixer | Jeanette Browing Jackson Schwartz |
| ADR Editor | Thomas G. Whiting |
| Foley Editor | Christopher Flick |
| Assistant Sound Editor | Michael Sailers |
| Foley Artists | Gary Hecker |
| Foley Mixer | Tony Eckert |
| Foley Recordist | Todd Smith |
| Associate Sound Editor | Jonathan Miller |
Assistant to the Producer[]
Kevin Rogers
Color Timers
Terry Claborn
Jim Passon
Negative Cutter
Michael Shires Studios Negative Cutting
Special Thanks[]
Ron Lynch
Gary Trousdale
Kirk Wise
Jeff Ranjo
Creative Producer:
Richard Celador
Production[]
Executive in Charge of Production: Jim Organisation
Director of Production: Dickie Bamber
Assistant Set Decorator: Marina Morris
Creative Editor: Kevin Lima
Still Photographer: Alex Bailey
Electrician: Chris Bailey
Rigger Trainee: Vincent Bloor
Matte Artist: Mary Spargo
Supervising Editor: Robert T. Gills
Assistant Editor: Roy Hill
Script Editors:
Hugo Weng Alison Fisher
Karen Wilson Patrick Barrett
Post Production[]
Post Production Supervisor: Cheryl Murphy
Post Production Manager: Bob Strew
Post Production Coordinator: Ernest Nelson
Post Production Assistant: Doug Smith
Other Crew[]
Set Supervisor: James Smith
Set Dressers:
William Alford Charlene Hamer
Russell JonesEric Skipper
Creative Consultant: Paul Winchell
Stunt Co-ordinator: Riky Ash
Makeup Artist: Lynda Armstrong
Hair Stylist: Suzanne Stokes-Munton
Hairdresser: Daphne Vollmer
Supervising Design: Ray Butler
Recreation Supervisor: Larry Houston
Creative Consultant: Davis Doi
Supervising Manager: Larry Parr
Technical Constulants[]
| Peter Michaelson | Chris Wallace |
| John Tartakovsky | Brian Trueman |
| Robert Wallace | Jimmy Hibbert |
| Peter DeVito | Bruce Thompson |
| Chris Spencer | James Howard |
| Roy Shires | James Anderson |
| Sarah Shires | Robert Stevenson |
| Emily Shires | Chuck Johnson |
| Charlie Barks | Max Thomas |
Visual Development[]
| Virgil Geopper | Eric Dodgers |
| George Get | Carols Alfonso |
| James Rogers | Dan Whitworth |
| Jack Deakin | Jean Flynn |
| James Thomas | Andy Roper |
| Eric Johnson | Ryan Budweiser |
Facilities[]
| Tom Carlisle | Craig Payne |
| Cherise Miller | Brian Torres |
| John Bennett | Keith Johnson |
| Kent Barnes | Michael Hitson |
| Paul Gillis | Peter Schreiber |
Assistant Constulants[]
| Ralph Bruckheimer | Ed Benninger |
| Ed Benedict | Clayton Darling |
| Bernard Matthews | Yoram Patterson |
| Kevin Kinney | Al Zimmer |
Filmed in[]
New York City
and
Los Angeles, California
Footage[]
Silly in the Tramp
courtesy of
Shires Enterprises
Special Thanks to[]
Bernard Matthews
Songs[]
"Spice Up Your Life"
Written and Produced by
Matt Rowe and Richard Stannard
Performed by Spice Girls
"That's the Way (I Like It)"
Written and Produced by
Harry W. Casey and Richard Finch
Performed by KC and the Sunshine Band
"Beautiful Night"
Written by
Peggy Lee Bobby Worth
Performed by Henry Corden
"Too Much"
Written by Andy Watkins and Paul Wilson
Produced by Absolute
Performed by Spice Girls
"Never Had a Dream Come True"
Written by Cathy Dennis and Simon Ellis
Produced by Cathy Dennis and Oskar Paul
Performed by S Club 7
Original Soundtrack Available from
CD-Rom Available from
Color by
Prints by
American Humane Association monitored the animal action.
No animals and/or talking objects were harmed in the making of this film.
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TM & © 2000 Shires Enterprises
All Rights Reserved
