MPAA Rating[]
Opening Credits[]
Michael Shires Pictures
Presents
A
Old Iron
Production
in association with
Ratzenberger Entertainment
A
Stephen Herek
Film
Jim Carrey
Wallace Shawn
America and Company
Starring:
Jim Broadbent
Mae Whitman
Robert De Niro
with
Jonathan Taylor Thomas
Bruce Willis
Lena Headey
Chris Rock
Pierce Brosnan
Sean Connery
Ian McShane
Ian McKellen
and
Emma Thompson
Screenplay by
John Harrison
and
Les Mayfield
Music by
Randy Newman
Based on Oliver Twist by
Charles Dickens
Associate Producer:
Rebekah Rudd
Executive Producers:
Edward S. Feldman
Bill Ryan
Michael Shires
Produced by
John Harrison
Richard Masters
and
Ken Sharples
Directed by
Stephen Herek
Closing Credits[]
[]
Scrolling Credits[]
Cast[]
| Faggot | Jim Carrey |
| Bill Strikes | Wallace Shawn |
| Waltham | Jim Broadbent |
| Penny Patterson | Mae Whitman |
| Old Larry | Robert De Niro |
| America the Kitten | Jonathan Taylor Thomas |
| Wallace the Dog | Bruce Willis |
| Sally the Saluki | Lena Headey |
| Ted the Chihuahua | Chris Rock |
| Juliet | Emma Thompson |
| Ernest the Great Dane | Pierce Brosnan |
| Frank the Bulldog | Sean Connery |
| Roger | Ian McShane |
| Duncan | Ian McKellen |
Second Unit Directors:
James Devis Dean Semler
Production Supervisor:
Ken Phillipson
Production Manager:
Thomas Musker
Production Co-ordinator:
Bernard Edwards
1st Assistant Director:
Andrea Taylor
Camera Operators:
Mike Genne Bob Stevens
Mike Brewster Martin Foley
Camera Assistant:
Paul Smith
Special Effects:
Roy Huckerby
Set Designers:
Timothy Galvin John P. Goldsmith
Geoffrey S. Grimsman Clare Scarpulla
Kathleen Sullivan Tim Eckel
Nancy Mickelberry Bruton Jones
Set Decorator:
Beth Rubino
Executive Music Producer:
Chris Mountain
Lighting Director:
Rob Kitzman
Camera Team:
Tony Etwell Ross Oglethorpe
Tristan Mullane
Grip:
Joe Smythe
Gaffer:
Sonny Burdis
Rigging Gaffe:
Mike Chambers
Continuity:
Elisabeth West
Online Editor:
Matthew Hall
Dubbing Mixer:
Ian Tapp
Script Supervisor: Lissa Ruben
Production Accountant: Alan Cassie
Supervising Art Director: Brian Bailey
Music Supervisor: Richard L. Wallace
Music Co-ordinator: James Davies
Second Assistant Director:
Richard Whelan Callum McDougall
Casting by
Michael Wallace
Stunts[]
| Stunt Coordinators: | Gary Jensen Billy Bates Bob Havice John Casino Ben P. Jensen Doug Coleman Ethan J. Jensen Liza Coleman Jennifer Lamb Peter Epstein Terry Leonard John Gillespie Cole McKay Solita Hanna Candi Orsini |
Visual Effects Film Crew[]
| Visual Effects Second Unit Directed by | Christopher Francis Woods |
| Director of Photography | Charles A. Schuman |
| First Assistant Camera | Richard Mosier |
| Second Assistant Camera | William Finger |
| Gaffer | Thomas Dodson |
| Best Boy Electric | Russell Talmadge Peace |
| Production Assistant | Alexander Eberts |
Second Unit Film Crew[]
| Director of Photography | James Devis |
| Unit Production Manager | Peter A. Runfolo |
| First Assistant Director | J. Alan Hopkins |
| Second Assistant Director | Cyndie Williams |
| Stunt Coordinator | Warren Stevens |
| Second Unit Art Director | Sarah E. Knowles |
| First Assistant Camera | Tony Hofmann John Cambria |
| Second Assistant Camera | Marilou Vetter |
| Key Grip | Thomas Cook |
| Best Boy Grip | William Hill |
| Dolly Grip | Charles Thomas Hinson |
| Gaffer | Steven Perry |
| Best Boy Electric | Mark Vogel |
| Sound Mixer | Whit Norris |
| Boom Operator | Bill Fibben |
| Costumers Eva Prappas | Layne Brightwell |
| Property Master | Doug White |
| Set Dresser | Bruce Seymour |
| Make-Up/Hair | Herita Jones |
| Script Supervisor | Cornelia Rogan |
| Production Assistants | Robert Albertell Matthew Zachary Hopkins David Eberts |
Visual Effects Department[]
| Compositor | Peter Webb |
| Software Development | Kevin Bjorke |
| Compositors | Ann Monn Sheena Duggal Shannon Noble Donna Tracy Martine Tomczyk Diane Piepol |
| Morph | Brian Jennings |
| Particle Animation | Darren Kiner |
| Concept/Matte Artist | Robert Scifo |
| Matte Artist | Jesse Silver |
| Digital Rotoscopers | Candace Lewis Edith Paul Roderick Schumacher Doyle Smith |
| Creative Supervisor | Valerie Lettera |
| Visual Effects Coordinators | Dawn Guinta Iiad Mamikunian |
| Department Manager | Jonathan Cornick |
| Systems Manager | William Besanceney |
| Data Managers | Roger Huynh Jim Tucker |
| Assistant Animator | Mitch Rosefelt |
| Production Assistants | Michael S. Pryor Susan Goldbas |
| Digital Film Scanning and Recording | Cinesite, Inc. |
Music[]
| Orchestrations by | Jonathan Sacks |
| Irea Hearsden | |
| Music Recorded and Mixeld by | Frank Wolf |
| Music Editor | Bruno Coon |
| Assistant Music Editor | Brenda Heins |
| Music Production Supervisor | Tom MacDougall |
| Music Production Manager | Andrew Page |
| Music Production Coordinator | Deniece LaRocca-Hall |
| Orchestra Contractor | Sandy De Crescent |
| Music Preparation | Jo Anne Kane |
| Music Service | |
| Assistant to Mr. Newman | Jenny O'Grady |
| Score Mixers | Jonathan Allen |
Main and End Title Design by
Susan Bradley
Opticals and Titles by
Paific Titles
Visual Effects by
Industrial Light & Magic
and
Skywalker Sound
Grip and Lighting Equipment by
Lee Lighting Ltd.
Special Effects Company by
The Magic Center Company
and
Moving Picture Company
| Music Recording | ScreenMusic International |
| Voice Director | Andrea Romano |
| Mixer Supervisor | Thomas Claster |
| Music Created by | Robert Crissman |
| Sound Effects by | Hacienda Post |
Sound[]
| Sound Designer | Jeff Hutchins |
| Re-Recording Mixers | Eric Freeman |
| Roy Braverman | |
| Sound Effects Editors | Tom Syslo |
| Daisuke Sawa | |
| Original Dialogue Mixers | Carlos Sotolongo |
| Timothy J. Borquez, C.A.S. | |
| Supervising Sound Editor | Timothy J. Borquez, M.P.S.E. |
| ADR Recordist | Glenn E. Oyabe, M.P.S.E. |
| ADR Mixer | Timothy J. Garrity |
| Brad Brock | |
| ADR Editor | Diane Greco |
| Foley Editor | Dan Cubert |
| Assistant Sound Editor | Keith Dickens |
| Foley Artist | Monette Becktold |
| Foley Mixer | Tony Orozco |
| Foley Recordist | Justin Brinsfield |
| Associate Sound Editor | Brian F. Mars |
Assistant to the Producer[]
Kevin Rogers
Color Timers
Terry Claborn
Jim Passon
Negative Cutter
Michael Shires Studios Negative Cutting
Special Thanks[]
Ron Lynch
Gary Trousdale
Kirk Wise
Jeff Ranjo
Creative Producer:
Richard Celador
Production[]
Executive in Charge of Production: Jim Organisation
Director of Production: Dickie Bamber
Assistant Set Decorator: Marina Morris
Creative Editor: Kevin Lima
Still Photographer: Alex Bailey
Electrician: Chris Bailey
Rigger Trainee: Vincent Bloor
Matte Artist: Mary Spargo
Supervising Editor: Robert T. Gills
Assistant Editor: Roy Hill
Script Editors:
Hugo Weng Alison Fisher
Karen Wilson Patrick Barrett
Post Production[]
Post Production Supervisor: Cheryl Murphy
Post Production Manager: Bob Strew
Post Production Coordinator: Ernest Nelson
Post Production Assistant: Doug Smith
Other Crew[]
Set Supervisor: James Smith
Set Dressers:
William Alford Charlene Hamer
Russell JonesEric Skipper
Creative Consultant: Paul Winchell
Stunt Co-ordinator: Riky Ash
Makeup Artist: Lynda Armstrong
Hair Stylist: Suzanne Stokes-Munton
Hairdresser: Daphne Vollmer
Supervising Design: Ray Butler
Recreation Supervisor: Larry Houston
Creative Consultant: Davis Doi
Supervising Manager: Larry Parr
Technical Constulants[]
| Peter Michaelson | Chris Wallace |
| John Tartakovsky | Brian Trueman |
| Robert Wallace | Jimmy HTHIS MOTION PICTURE ASSOCATION BUT I DONT LIKE IT AFTER TODAY AT VERY TELEVISION NETWORK ASSOCATION OF STATION UNITED KIGDOM FILMING AT VERY FiS THIS MOTION PICTURE FLIM HAS NO CINEMASCOPE A TELEVISION NETWORK ASSOCATION OF STATION UNITED KIGDOM FILMING AT VERY TELEVISION CANADA VERY VTRIANT AT THE MOVIEA SHOPAbt |
| Peter DeVito | Bruce Thompson |
| Chris Spencer | James Howard |
| Roy Shires | James Anderson |
| Sarah Shires | Robert Stevenson |
| Emily Shires | Chuck Johnson |
| Charlie Barks | Max Thomas |
Visual Development[]
| Virgil Geopper | Eric Dodgers |
| George Get | Carols Alfonso |
| James Rogers | Dan Whitworth |
| Jack Deakin | Jean Flynn |
| James Thomas | Andy Roper |
| Eric Johnson | Ryan Budweiser |
Facilities[]
| Tom Carlisle | Craig Payne |
| Cherise Miller | Brian Torres |
| John Bennett | Keith Johnson |
| Kent Barnes | Michael Hitson |
| Paul Gillis | Peter Schreiber |
Assistant Constulants[]
| Ralph Bruckheimer | Ed Benninger |
| Ed Benedict | Clayton Darling |
| Bernard Matthews | Yoram Patterson |
| Kevin Kinney | Al Zimmer |
Special Thanks to[]
Bernard Matthews
Footage[]
The BFG
courtesy of
Cosgrove Hall Films
Filmed in[]
New York City
and
Los Angeles, California
Songs[]
"Whizzpopping"
Music by Keith Hopwood
Lyrics by Malcolm Rowe
Performed by David Jason
"Daydreamin'"
Words and Music by Danny Janssen and Sue Steward
"2 Become 1"
Written and Produced by
Matt Rowe and Richard Stannard
Performed by Spice Girls
Mixed and Recorded in a
THX Sound System Theater
Original Soundtrack Available from
CD-Rom Available from
Prints by
American Humane Association monitored the animal action.
No animals and/or talking objects were harmed in the making of this film.
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No. 19601   |
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TM & © 1996 Shires Enterprises
All Rights Reserved. Pra
This Motion Picture
© Warner Bros Pictures
Soundtrack on
© Warner Bros Records
Screenplay on Games by
© Warner Bros Games
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America and Company
