Justice for Love duology

"From a simple story of two siblings' rivalry, to the end of human civilization."

- Official synopsis

The Justice for Love duology (also known simply as Justice for Alicia duology in the Philippines) is a Japanese-Philippine multimedia franchise that is centered on Alicia Salvacion's life journey across the Pacific Ocean, and the imminent human extinction being caused by an asteroid impact. Starring Yasmien Kurdi, and mostly set in San Francisco, the duology was produced by Toho and co-produced by GMA Pictures. It is part of the larger Reiwa series.

The duology received generally positive reception in the Philippines and has been commercially successful after earning $88 million at the box office, making it one of the highest grossing Toho sci-fi films of the 21st century so far. The duology is regarded to be responsible of redefining Yasmien Kurdi's acting career, and also helped renew interest in both the disaster film genre, and the real-world discussion of asteroid impact avoidance.

Toho / GMA Network entries
The concept originated from the 2013 Chelyabinsk meteor event, and the lack of films that visualized the possible effects of a large asteroid impact. Due to the incident, interest in asteroid impact events have drawn renewed attention, while Japanese studio Toho considered producing a science-fiction film that focuses on such event, with the Cretaceous–Paleogene extinction event serving as the main inspiration for the film. Toho's previous sci-fi film at that time was the 2006 remake of Sinking of Japan.

The film's screenplay was adapted from The Last War, a 1961 film also produced by Toho which showcases the possible scenario of total nuclear war during the Cold War years. As the Cold War ended in 1991 during the dissolution of the Soviet Union, the new screenplay replaces the nuclear warfare theme with contemporary concerns regarding astronomical impact events on Earth, which includes asteroids or comets.

American entries
Following the conclusion of Justice for Love Presents: The Obsession and the release of The Final Moments short film, GMA Pictures' three-year license to the Justice for Love trademark expired in May 2022, and GMA Network allowed their rights to revert back to Toho, giving Toho the full control of the Justice for Love copyright/trademark.

Around the same year, Legendary Pictures and TSG Entertainment bought the rights to the Justice for Love trademark from Toho with plans to produce an American remake of #JusticeForLove: End of the World, with the two studios hiring Roland Emmerich to direct the film. The remake, Justice for the End of the World, was released in December 25, 2026, coinciding with the original film's 6th anniversary.

After the massive commercial success of the American remake, Legendary Pictures and TSG Entertainment brought back Emmerich again to write and direct a sequel, in hopes of launching a Hollywood-reimagined cinematic universe. The sequel, titled Blood Moon: Justice for the World, was released on September 13, 2033, to mostly negative reviews, and bombed at the box office, halting all plans for a cinematic universe, and letting the rights revert back to Toho.

#JusticeForLove: End of the World


In 2020, a woman named Mylene arrives in San Francisco with her family in an attempt to reunite with her sister, but accidentally rescues a depressed woman named Alicia. When Mylene is accused for a crime she never committed, it's up to Alicia to clear Mylene's name while attempting to reunite with her mother in Manila, at the same time a 10-kilometer asteroid threatens to impact Earth and cause an extinction-level event.

The concept originated from the 2013 Chelyabinsk meteor event, and the lack of films that visualized the possible effects of a large asteroid impact, with the Cretaceous–Paleogene extinction event serving as the main inspiration for the film. The film's screenplay was adapted from the 1961 film The Last War. The film became a co-production with GMA Pictures following the success of 2018's The Return of Godzilla.

Justice for Love Presents: The Obsession


Two years before the events in San Francisco, Alicia wakes up in Saipan, Northern Mariana Islands after a two-year coma. Richard, an American soldier, and Lolita, his Filipino wife, asks what happened to her and where she came from. Alicia then recalls the events which led her to this point, depicting her life story from 1997 until 2020, from Manila to San Francisco.

Following the criticism regarding the underwritten characters, and the extremely long running time for the film, GMA Network opted to produce a prequel series to the film. The series' principal photography suffered through multiple issues, including the COVID-19 pandemic and schedule conflicts. The series was produced completely by GMA Network, with Toho only distributing the series internationally.

Justice for the End of the World
To be added.

Blood Moon: Justice for the World
To be added.

Setting
The duology takes place in two locations, across the Pacific Ocean: Manila, Philippines and San Francisco, California. Additional locations include Saipan, Northern Mariana Islands, and Honolulu, Hawaii. The duology takes place from 1997 until 2020, from Alicia's childhood days, to Clara's impact on Earth.

Influences
The duology is heavily inspired by multiple impact events that took place in Earth's history, such as the Cretaceous–Paleogene extinction event, which is known for wiping out the non-avian dinosaurs 66 million years ago, following the impact of a 10 to 15 kilometer comet or asteroid in the Gulf of Mexico's Yucatán Peninsula. Other events include the 1908 Tunguska event, the largest impact event in recorded history, and the more recent 2013 Chelyabinsk meteor event.

In terms of story, the duology appears to be greatly influenced by the 2014 series Rhodora X, as many aspects in Alicia's story share similarities with the series, most notably in the prequel series. Yasmien Kurdi's character in the duology, Alicia Salvacion, is also heavily based on Angela Ferrer, Kurdi's character in the series.

The 2019 series Bihag served as the main influence for Mylene's subplot and her role in the duology. Both the series and the duology feature a scenario in which Isabelle Abiera's character gets framed for murder. Also, Jade Lopez's role in both the duology and the series is exactly the same.

Other influences on the duology are:
 * Hiram na Anak ― The streetcar accident scene bear similarities to the one shown in the series.
 * Hindi Ko Kayang Iwan Ka ― Alicia's suicide attempt on the Golden Gate Bridge is based on a scene in the series' 42nd episode.
 * Melancholia ― The duology's depression theme was heavily based by this film. Both also feature a depressed woman as the lead protagonist, while Earth is threatened by a large impact event (a rogue planet in Melancholia while an asteroid in #JusticeForLove: End of the World).
 * Seeking a Friend for the End of the World ― Some elements of the duology share similarities with the film, such as Mylene befriending Alicia while an asteroid threatens Earth, and the story focusing only on specific individuals during a global catastrophe. Also, both have "End of the World" on their titles.
 * The Last War ― The duology's screenplay was adapted from this film. Both the film and the duology also end at the same way, depicting the ruins of a major city (Tokyo in The Last War and San Francisco in #JusticeForLove: End of the World) before showing a disclaimer stating that the events depicted in the film is a work of fiction that could happen in reality.

Themes
The duology criticizes contemporary human civilization as arrogant, destructive, and unwilling to change. Throughout the duology, the lead protagonist (Alicia) had suffered through a series of unfortunate events done by people that, instead of taking care of her, actually despised her for various reasons, including wealth, trust, and simple mistakes. Despite multiple attempts to have the simple life she wanted, the world around her still doesn't want her to become happy. The asteroid impact is seen by the protagonist as a way of nature to get rid of the world that despised her, believing the human race deserves to meet the same fate as the non-avian dinosaurs. The instant destruction of civilization during the impact event parallels the protagonist's suffering in the beginning, albeit on a global scale. At the end of the story, both Alicia and the Earth were given their respective second chances to start anew.

American entries

 * Years are not included in the table below.

Legacy
The unexpected success of the duology received diverse critical responses, from redefining Yasmien Kurdi's acting career, to the real-world discussion of asteroid impact avoidance.

Yasmien Kurdi & Ysabel Ortega
Yasmien Kurdi was highly praised by an international audience and critics for her acting and performance, not only in the film, but also in the prequel series that followed. Following the conclusion of the duology, Kurdi won and nominated multiple awards in 2022 alone, ranging from Best Actress, to Significant/Remarkable Actress of the Year. The success of the duology also led to Kurdi being continuously cast in major projects by GMA Network, putting her on the forefront of Filipino actresses. Notable projects following the Justice for Love duology that features Kurdi includes the Philippine adaptation of Start-Up, and Godzilla: The Kaiju Invasion. The Philippine adaptation of Start-Up in particular, marks the return of Kurdi in an antagonist role after 12 years, since 2010's Grazilda. The success of #JusticeForLove: End of the World led to Ysabel Ortega being recognized by a larger audience, with the film serving as a breakthrough in her own career. Shortly after the film's release, Ortega was given two prominent projects in GMA Network, including Voltes V: Legacy, which is based on the Japanese anime series by Toei Animation, and in the romantic-comedy series What We Could Be in her first lead role, while the series marks the first co-production between GMA Network and Quantum Films.

Disaster film genre
The duology, particularly the original film, is sometimes considered as a significant turning point in the recent history of the disaster film genre, as the film was at the forefront of the disaster and sci-fi resurgence of the early 2020s, in the midst of the COVID-19 pandemic. It led to similar works in cinema, television, video gaming and other media as well, not seen since the 2012 phenomenon. The film is often credited for the return of impact events in popular culture, as later films like Don't Look Up heavily borrowed elements from the Justice for Love duology, using the impact event depicted in #JusticeForLove: End of the World as a metaphor for climate change.

Asteroid impact avoidance & climate change
The international success of #JusticeForLove: End of the World, along with the release of Don't Look Up a year later, helped raise awareness not only on the real-world discussion of asteroid impact avoidance, but also climate change as well. Astronomers praised #JusticeForLove: End of the World for its realistic depiction of a large asteroid impact, and noted its accuracy for depicting the Cretaceous–Paleogene extinction event in contemporary times, while Don't Look Up recieved positive opinions from climate scientists regarding the effects of climate change. Discussions regarding asteroid impact avoidance culminated with the Double Asteroid Redirection Test (DART) mission in 2021, the first ever attempt on deflecting an asteroid.