Felidae (Musical)

Felidae: The Musical is a Broadway musical based upon the 1994 German film Felidae and the 1989 German thriller novel of the same name of which the film was based upon. It follows the book a little more closely than the movie does, but takes many creative liberties as well, far more than the film, and is made much shorter than the novel, but longer than the movie. It is 2 hours and 30 minutes long, with a 15 minute intermission. It was adapted into a musical by TBD, with songs written by Boy George, Nada Surf, and Stephen Sondheim. It premiered on Broadway November 3, 2024, celebrating the 30th anniversary of the movie release, and premiered in Germany later that year.

Act 1

 * "Overture" - A Composition Played Before The Musical
 * "Felidae" - Sung By Francis As He Describes The Story Itself Beforehand, Only Song From The Movie
 * "New Moon Rising" - Sung By Francis After Discovering The First Murder
 * "No Escape" - Sung By Professor Julius Preterius And The Ensemble During Francis' Nightmare, One Of The Most Intense Songs In The Musical
 * "Blood Red Sky" - Sung By Felicity When She First Meets Francis, As She Informs Francis Of Her Information, And Is Joined In By Francis Later In The Song
 * "Bits Of Data" - Sung By Pascal/Claudandus As He Shows Francis The Program He'll Store All Data Of The Murderer Inside A Computer, Of Which He Knows How To Utilize Mysteriously
 * "Go On Home" - Sung By Kong And The Hermanns, In An Attempt To Intimidate Francis And Bluebeard
 * "Francis Has Come" - Sung By Francis, As He Declares He'll Do Whatever It Takes To Discover The Killer, The Final Song Of Act 1

Act 2

 * "Not As It Seems" - Half Sung, Half Dialogue From Francis, Professor Julius Preterius, Pascal/Claudandus, The Scientists, Lab Cats, And The Ensemble As Francis Reads The Scientists' Journal, And A Flashback Of The Experiments As He Sings, One Of The Most Intense Songs In The Musical, With Elements Of No Escape In It
 * "Bits Of Data (Reprise)" - A Brief Reprise Sung By Pascal/Claudandus As His Role As The Murderer Starts To Become More Apparent To The Audience


 * "Cult Meeting" - Sung By Francis, Pascal/Claudandus, Bluebeard, Felicity, Pepeline, Jesaja, And The Cult Cats During The Meeting, In Which Pepeline Reveals That Claudandus Didn't Die, And Her Identity As The Great-Granddaughter Of Joker, The Longest Song In The Musical
 * "I See Now" - Sung By Felicity As She Places The Final Pieces Of The Puzzle Together And Decides To Try To Warn Francis
 * "Felidae (Reprise)" - Sung By Pascal/Claudandus As He Reveals His Name, His Role As The True Murderer, And His Plan To Bring Back The Egyptian Breed Of Cat By Eradicating The Other Breeds To Francis, Being Another One Of The Most Intense Songs In The Musical
 * "Final Confrontation" - Sung By Pascal/Claudandus, Francis, Bluebeard, Felicity, The Ensemble, The Scientists, Professor Julius Preterius, And Pepeline, During The Final Confrontation/Battle Between Francis And Claudandus, By Far The Most Intense, Emotional Song In The Musical, Featuring Parts From Felidae, Not As It Seems, Francis Has Come, New Moon Rises, Cult Meeting, No Escape, Bits Of Data, And Blood Moon Rising, Only One Minute Shorter Than The Longest Song In The Musical
 * "Felidae (Finale)" - The Finale Of The Musical, Sung By Every Character, Of Which Is Sung After The Death Of Pascal/Claudandus, And Ends The Musical Similarly To The Movie, An Optimistic Yet Still Dark Note

Francis

 * Role In Musical: Lead
 * Gender Of Portrayer: Male
 * Age Range: 25-40
 * Vocal Range: Tenor-Baritone

Bluebeard

 * Role In Musical: Lead
 * Gender Of Portrayer: Male
 * Age Range: 35-50
 * Vocal Range: Baritone-Bass

Claudandus/Pascal

 * Role In Musical: Lead
 * Gender Of Portrayer: Male
 * Age Range: 40-60
 * Vocal Range: Bass

Felicity

 * Role In Musical: Lead
 * Gender Of Portrayer: Female
 * Age Range: 25-40
 * Vocal Range: Alto

Jesaja

 * Role In Musical: Minor, But Important To The Plot
 * Gender Of Portrayer: Male
 * Age Range: 40-70
 * Vocal Range: Baritone

Kong

 * Role In Musical: Minor
 * Gender Of Portrayer: Male
 * Age Range: 30-45
 * Vocal Range: Baritone

The Hermans

 * Role In Musical: Minor
 * Gender Of Portrayers: Both Male
 * Age Range: Both 25-35
 * Vocal Range: Tenor

Professor Julius Preterius

 * Role In Musical: Supporting, But Important To The Plot
 * Gender Of Portrayer: Male
 * Age Range: 40-70
 * Vocal Range: Tenor-Baritone

Joker

 * Role In Musical: Minor, But Important To The Plot
 * Gender Of Portrayer: Male
 * Age Range: 40-60
 * Vocal Range: Baritone-Bass

Pepeline

 * Role In Musical: Supporting
 * Gender Of Portrayer: Female
 * Age Range: 18-25 (Although she's a kitten, the content of this musical makes a child unsuitable to participate.)
 * Vocal Range: Mezzo-Soprano

Gustav Lobel

 * Role In Musical: Minor
 * Gender Of Portrayer: Male
 * Age Range: 40-45
 * Vocal Range: Doesn't Matter, As He Only Sings During The Finale

Archie

 * Role In Musical: Minor
 * Gender Of Portrayer: Male
 * Age Range: Same As Gustav
 * Vocal Range: Same As Gustav

Victims Of Murder/Lab Cats

 * Role In Musical: Minor, But Important To Plot
 * Gender Of Portrayer: Depends On The Character
 * Age Range: Depends On The Character
 * Vocal Range: Depends On The Character, As They Only Sing During The Finale

Scientists

 * Role In Musical: Minor, But Important To Plot
 * Gender Of Portrayer: Depends On The Character
 * Age Range: Depends On The Character
 * Vocal Range: Depends On The Character, As They Only Sing During The Finale

Cult Cats

 * Role In Musical: Ensemble
 * Gender Of Portrayer: Depends On The Character
 * Age Range: Depends On The Character
 * Vocal Range: Depends On The Character

Ensemble

 * Role In Musical: The General Ensemble/Chorus
 * Gender Of Portrayer: Depends On The Character
 * Age Range: Depends On The Character
 * Vocal Range: Depends On The Character

Original Broadway Cast

 * Jeremy Jordan as Francis
 * Michael Lanning as Bluebeard
 * TBA as Claudandus
 * Carrie Manolakos as Felicity
 * Eric Anderson as Kong

Differences From The Film/Novel

 * The musical is slightly closer to the novel than the movie, adding back in the removed nightmare sequence, changing the video diary from the film back into a journal like in the book, changing Pepeline's breed back to a black and white Harlequin, like in the novel, and Francis calls The Guardian Of The Dead to the cult meeting. However, it also maintains many elements of the movie.
 * The musical is also noticeably lighter than both the movie or novel, sparing Felicity, developing her and Francis' relationship, and making many of the deaths less gruesome.
 * Felicity is spared in the musical, develops a romantic relationship with Francis, and becomes his mate.
 * Felicity is given a far, far larger, much, much, much more prominent role in the musical for this reason, becoming a main character.
 * Pepeline is given a much larger, much more prominent role in the musical, but not as large as Felicity.
 * The character Nhozemphtekh is completely cut from the musical, though she is seen, or at least a similarly dressed/looking she-cat in the ensemble.
 * Pepeline is also changed back into a black and white Harlequin, like in the novel, unlike in the movie, in which she was a Turkish Van.
 * In the novel and movie, during the final battle with Claudandus/Pascal, only Francis is present. However, in the musical, Bluebeard, Felicity, and Pepeline are also present, and witness the event.
 * Bluebeard attends the cult meeting.
 * The sexual scenes were removed, due to the exclusion of Nhozemphtekh.
 * Francis is much younger in the musical than in the novel or movie, in which he was fairly old, being a young adult tomcat in the musical.
 * Solitaire's death is greatly toned down, with only her throat slashed, without her stomach and uterus ripped open. It is also unknown if she was pregnant or not.