The John Ashu Company

Bolderie Marina is an International and Irish-British Media Coporation and Multinational mass media. This company is known for the Bolderie Media Universe.

History
This company first started as Thrower Entertainment until it was changed to Doorbell Media due to legal issues with Star Thrower Entertainment. After a few months later, the "Media" was changed to "Marina" since there's already a company called Doorbell Media. Months later, it was changed to it's current name Bolderie Marina as Bolderie felt that the name Doorbell no longer suited this company. In August 4, 2021, John agreed to sell 5% of Bolderie Marina to Fremantle,10% to Rainbow S.p.A, 5% to Amblin Entertainment and 10% to DreamWorks Animation.

Filmgraphy
BOLD = Movies/Tv Shows made under the Gruppo Bolderie label.

Shows/Movies marked with * are made under the Bollard for Adults label

Feature Films

 * Harold & Kiwi: The Movie (co-produced with Metro-Goldwyn-Mayer and Nelvana)
 * Belle Bat: The Movie (co-produced with RAI Fiction)
 * The Good, The Bad, and The Cool*
 * Barkbaa the Dogsheep Movie (co-produced with Phil Roman Entertainment)
 * Koala Kay Movie (co-produced with Touchstone Pictures)
 * The Adventures of Bunny-Man
 * Thumbelina (Co-produced with Rainbow S.p.A and Nordisk Film)
 * Where's Bolderie
 * Marmot: The Movie (Co-produced with RAI Fiction)
 * Henny Penny {Co-produced with The Walt Disney Company Italy)

Television shows

 * Harold & Kiwi
 * Barkbaa the Dogsheep
 * Bolderie Tales (Co-produced with Heyday Films and Amblin Tevevision)
 * Marmot (Co-produced with Rai Fiction)
 * Baby The Lamb
 * Bolderie
 * Baby Bolderie
 * Betty Boop (Co-produced with Fleischer Studios, Williams Streets and King Feature Syndicate)*

Animes Made By Bolderie International Japan

 * Computer Animals
 * Go Bongo

Bolderie International USA

 * The Ollie Otter Show (Co-produced with Amblin Television)
 * It's Krazy Kat (Co-produced with King Feature Syndicate and Dreamworks Classics)

TV Films

 * How Harold Met Kiwi
 * Save the LGBT (Co-produced with DreamWorks Pictures)

Controversies
According to John Ashu, a lot of homophobic/transphobic people and moral guardians wanted his series of novels Save the LGBT banned due to the depiction of LGBT people as innocent bystanders and friendly people while it depicts most Straight/cisgender people as racist and sexist by sending him death threats and because of this, many Anti-LGBT organizations told him that this was God's response to him for including LGBT Characters into his projects.

Trivia

 * Due to the name Bolderie also being the name of a Dutch hotel, the Fremantle, Universal Pictures, Tezuka Productions and Mondo TV logo would replace the Bolderie Marina, Bolderie International USA, Bolderie International Japan and Gruppo Bolderie logo for Dutch-speaking terms.
 * Anyone or anything that is called Bolderie are replaced with the word Ballon, which is a Dutch word for Balloon.
 * It was originally known as Doorbell Marina (it was also known as Thrower Entertainment) until Bolderie changed it to Bolderie Marina since he felt that the name Doorbell no longer suited this company.
 * While Bolderie-related shows only air on Bolderie-related channels, Simon stated that they only air on those channels in the UK, Wales, Scotland and Ireland
 * John has a few rules for Bolderie Marina (and its Divisions and Subsidiaries).
 * No illegal items on Bolderie Marina's property.
 * All Voice Actors/Actresses are allowed to voice any ethnic characters they want, even if they're not of the same ethnicity.
 * No Religious themes,
 * Bolderie Characters are allowed to appear on fan works as long as the heroes are not portrayed as villains.
 * Interspecies couples are allowed as long as humans and animals are not romantically attracted to each other.
 * Members of Anti-LGBT organizations are fobidden from entering Bolderie Marina.
 * The mascot of the company is Lewis, an anthropomorphic Marsupial.
 * According to Raffiella Chapman, John created Bolderie Marina because he wanted to create what he wanted to see and not what focus groups wanted to see.