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Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922. He has had an enormous influence on Brazilian literature in the 20th and 21st centuries, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.

Andrade was the central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism, and became Brazil's national polymath. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature and the visual arts in Brazil. After working as a music professor and newspaper columnist he published his great novel, Macunaíma, in 1928. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long held as the catalyst of the city's—and the nation's—entry into artistic modernity.

Andrade was born in São Paulo and lived there virtually all of his life. As a child, he was a piano prodigy, and he later studied at the Music and Drama Conservatory of São Paulo. His formal education was solely in music, but at the same time, as Albert T. Luper records, he pursued persistent and solitary studies in history, art, and particularly poetry. Andrade had a solid command of French, and read Rimbaud and the major Symbolists. Although he wrote poetry throughout his musical education, he did not think to do so professionally until the career as a professional pianist to which he aspired was no longer an option.

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