User:Keylonrocks

Voice Recording DICK & ROGERS' SOUND STUDIO

Recording Engineer ADAM MCGHIE

Re-Recording Mixer MARCEL DUPERREAULT

Dialogue Editors SHELBY DENISON JASON FREDERICKSON KIRK FURNISS ROGER MONK

Audio Description and Closed Captioning Provided by SASSONIQUE PRODUCTIONS

For DHX MEDIA TORONTO

VP Production Financing LISA BROADFOOT

VP Kids Development STEPHANIE BETTS

Director of Post-Production MARTIN JEFFERSON

Director of Development SHALEEN SANGHA

Creative Executive SHAYNA FINE

Business Affairs MONICA LUI STEVE MARINELLI LEANDRA ST-LOUIS

For DHX MEDIA VANCOUVER Technical Support DANYUEL CARMICHAEL ALVIN SUNGA JASON MATALA KEVIN KWOK MARK BRIAN ABAD

Director of Post Production CLEMENT HOBBS

‎VP Technology TROY BROOKS

‎IT Manager ZORION TERRELL

Production Finance JANICE TAYLOR

Accounting Supervisor BEN BUSA

‎Production Manager KIMBERLY SMALL

Production Legal SARAH NATHANSON JAMIE GOODSON

This motion picture is protected under laws of the United States and the other countries, and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution. The characters and incidents portrayed and the names herein are fictitious. Any similarity to the name, character or history of any person is entirely coincidental and unintentional.

IT'S MY HOUSE #DALBCX01

COPYRIGHT © 2001 ADELAIDE PRODUCTIONS INC., SPINSTAR BRANDS AND LICENSES LLC and MTV NETWORKS, a division of VIACOM INTERNATIONAL INC. ALL RIGHTS RESERVED

Based on the comic books written by Noel Bento as published by and © 2001 by Spinstar Brands and Licenses LLC. It's My House and featured original characters are trademarks of and copyrighted by Spinstar Brands and Licenses LLC. www.spinstar.com

Country of first publication: United States of America. Adelaide Productions Inc., Spinstar Animation LLC and MTV Networks are the authors of this film/motion picture for the purposes of Article 15 (2) of the Berne Convention and all national laws giving effect thereto. VISIT US ONLINE @ www.sonypictures.com/tv/kids

Why It Rocks

 * 1) The concept about a high-schooler doing a part-time job saving dimensions is pretty convincing.
 * 2) * The Most Dangerous World Imaginable is also unique.
 * 3) Creative plots for episodes, such as a burger that turns people into zombies.
 * 4) Decent animation, and the character designs and art style look unique.
 * 5) Likable and relatable characters, and even the villains are funny.
 * 6) Funny jokes and gags.
 * 7) The outro is quite catchy and peaceful.
 * 8) Good voice acting, especially from Lea Thompson.

Bad Qualities

 * 1) Only lasted 35 episodes due to Disney focusing more attention on (while good) Star vs. the Forces of Evil.
 * 2) The theme song isn't quite catchy.
 * 3) Boone and Penn can be annoying at times.
 * 4) The three main characters are a bit cliched. Penn is the hero, Boone the bumbling sidekick, and Sashi the love interest.
 * 5) Some gross-out jokes.
 * 6) Overuse of the Wilhelm Scream, though this has died down.

Trivia

 * After the show's end, much of the staff went on to create Rapunzel's Tangled Adventure.

Review
The Emoji Movie.

Yep. This was a thing.

We movie lovers feared over its mere announcement, before the trailers, before its posters or promotional material. We weren't ready to watch it...and I don't think we ever will. At all. If Jay Sherman from The Critic were here, he would've used his catchphrase "It stinks!" over this abomination these guys call "movie magic".

In fact, it's not a movie. I repeat: It. Is. NOT. An. Actual. Movie. At all! It's just an 86-minute advertisement that's disguised as a movie that cannot be skipped no matter what. There's a reason why Rotten Tomatoes added that 🚫 sign to their Critics Consensus.

The film follows this Meh emoji who's problem is that he's more than a meh. So after destroying his job on his first day, he enlists the help of a literally handy emoji reject to find a hacker who's also a princess (it's just a clone of both Wyldstyle AND Vanellope); while the smiling emoji track down the Meh with her robots, the Meh parents find their son, and an average human boy who wants to take human Mavis to the prom who also attempts to reset his phone, so the Meh has to prevent it from happening despite almost single-handedly destroying the Emoji world. And you can't end a movie with a dated dance party. I just spoiled the entire movie for you guys, in case you didn't watch it. You're welcome.

The plot is filled to the brim with tired tropes and cringey cliches, and doesn't do the critics, audiences, or itself justice. It has no charm, originality, or cleverness to help. And I noticed that it copied three films way better than this one: The LEGO Movie, Inside Out and Wreck-It Ralph. The LEGO Movie is known for being clever about its writing, animation, humor and slapstick, writing, characters, and the like, making it unique and original. The Emoji Movie, however, has none of these, instead having unfunny "jokes", indecent writing, boring and uninteresting characters, and vice versa, with only the stunning visuals as its one saving grace. Oh, did I tell you that Patrick Stewart played a literal big turd? Rumor also has it that Sony chose this over Genndy Tartakovsky's Popeye film, which is a absolute bummer.

Fortunately, I escaped the horrors of it during its theatrical run, instead focusing on the Captain Underpants movie. If you plan on buying a movie, I BEG of you do not waste your money on The Emoji Movie. Don't even rent it. Just ignore it, buy a good movie, and promise that you will live happily without it.

😠🙄😒😑 - My insulting one-liner (the joke was from a CinemaSins video, by the way)

The Emoji Movie is a wonderful, magnificent film that deserves to exist and win all the Emmys.

...said no critic ever.

I’m not gonna rage, but what was Sony thinking? There were many good ones, and then there’s the bad ones: Catwoman, Son of the Mask, Dragonball Evolution, The Last Airbender, anything from Michael Bay, Adam Sandler, Rob Schneider (and we predicted that Grown Ups ended badly), or Seltzer and Friedberg, Foodfight, North, Norm of the North, Battleship, The 1998 Avengers, Ballistic, 2016 Ghostbusters...

And we all feared for the biggest, most boring, feature-length-sized sin that is The Emoji Movie, a so-called “movie” that’s only a huge 86-minute commercial, which is also just a transparent attempt for kids to be hip and modern and buy smartphones. It’s also chock full of tired tropes and cringeworthy clichés and juvenile jokes (oh my!) that aren’t charming, not even in the near-slightest, sucking the fun out of this so-called "movie". And if it DID have any originality, we would’ve gave it another chance.

It follows a Meh emoji, who after ensuing chaos on his first day on the job enlists the help of a literally handy (yet unfunny) emoji to find a hacker (who’s just Wyldstyle)—who’s secretly a princess emoji named Linda (definitely stealing Vanellope’s secret identity)—to make him a Meh forever, while also playing a game of Candy Crush and Just Dance (which wasn’t made for mobile, BTW), just to fill up the movie’s runtime. Meanwhile, the smiling emoji decides to track the Meh down, while his Meh parents find him in one of the most boring search parties ever. Also the owner of the phone wants to take human Mavis (in my opinion, she looks like Mavis) to the prom–it’s as generic as it gets!–then decides to reset said phone to its well-deserved factory settings, but not before the Meh saves the day by using his many emotions, just to shoehorn in a forced "be yourself" message, despite nearly single-handedly destroying everything. And like Norm, you would expect how the movie will end...

Yes, I DID just spoiled the entire plot for you guys, in case you didn’t see it. You’re welcome.

Oh, and did I mention Patrick Stewart played an actual turd?

If good writers are involved, it wouldn’t be a big deal–and Stewart would’ve voice something that isn’t a pile of dog s**t. Also, it rips-off not only The LEGO Movie and Wreck-It Ralph, but also Inside Out. You see, The LEGO Movie has a bunch of originality and creativity, and is clever when it comes to the writing, jokes, plot, and characters...but The Emoji Movie doesn’t have ANY of that. Wreck-It Ralph handles its concept inside the screen pretty well, and Inside Out does its concept of emotions right, both being Disney and Pixar and all. The Emoji Movie, however, doesn’t do those points justice, either. The only saving graces here are Addie McCallister, Akiko Glitter, and the wonderful animation and visuals. I originally did enjoy it, though, but the EXTREMELY HUGE hate on the internet made me officially go the other way. I didn’t watch it in theaters, fortunately, because I went to see Captain Underpants instead. Thank God.

Let me rephrase: The Emoji Movie is a feature-length, 86-minute ad that is the biggest sin in animation with ZERO originality or charm. Don’t waste your money on that cursed movie, let alone even rent it. Just spend it on other better movies, and I swear you’ll be fine without it.

My one-liner: 😠🙄😒 (that joke was from CinemaSins)