Colin Farrell

Colin James Farrell (/ˈfærəl/; born 31 May 1976) is an Irish actor. He first appeared in the BBC drama series Ballykissangel (1998), then made his film debut in the drama film The War Zone (1999), and was discovered by Hollywood upon taking the lead role in the war drama film Tigerland (2000). He then portrayed outlaw Jesse James in the Western film American Outlaws (2001) before starring in the thriller films Phone Booth (2002), S.W.A.T., and The Recruit (both 2003), establishing his international box office appeal. During that time, he also appeared in Steven Spielberg's sci-fi thriller Minority Report (2002) and as the supervillain Bullseye in the film Daredevil (2003).

After starring in the independent films Intermission (2003) and A Home at the End of the World (2004), Farrell portrayed Alexander the Great in the biopic Alexander (2004) and starred in the historical romantic drama film The New World (2005). He followed these with roles in Miami Vice (2006), Ask the Dust (2006), and Cassandra's Dream (2007), underscoring his popularity; his role in the comedy film In Bruges (2008) earned him the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. He next starred in the black comedy film Horrible Bosses, for which he received critical praise, along with comedy-horror film Fright Night (both 2011), sci-fi action film Total Recall, and black comedy crime film Seven Psychopaths (both 2012).

In 2013, Farrell starred in the action film Dead Man Down and the quasi-biopic Saving Mr. Banks, in which he portrayed the father of P. L. Travers. He starred as Peter Lake in the supernatural fable Winter's Tale (2014), an adaptation of the novel of the same name by Mark Helprin, and portrayed Detective Ray Velcoro in the second season of HBO's True Detective (2015). He also starred in the film The Lobster (2015), for which he was nominated for his second Golden Globe. He then portrayed auror Percival Graves / Gellert Grindelwald in the Harry Potter prequel film Fantastic Beasts and Where to Find Them (2016), as well as crime boss Oswald "Oz" Cobblepot / The Penguin in the 2022 superhero film The Batman, a role which he will reprise in a spin-off self-titled solo series for HBO Max. In 2020, he was listed at No. 5 on The Irish Times ' list of Ireland's greatest film actors.

Early life
Colin James Farrell was born in the Castleknock suburb of Dublin on 31 May 1976, the son of Rita (née Monaghan) and Eamon Farrell. His father played football for Shamrock Rovers FC and ran a health food shop. His uncle, Tommy Farrell, also played for Shamrock Rovers. He has an older brother named Eamon Jr. and two sisters named Claudine (who now works as his personal assistant) and Catherine. He was educated at St. Brigid's National School, followed by the exclusive all-boys private school Castleknock College, and then Gormanston College in County Meath. He unsuccessfully auditioned for the boy band Boyzone around this time. He was inspired to try acting when Henry Thomas' performance in E.T. the Extra-Terrestrial (1982) moved him to tears. With his brother's encouragement, he attended the Gaiety School of Acting, but dropped out when he was cast as Danny Byrne in the BBC drama Ballykissangel. While travelling in Sydney at the age of 18, Farrell became a suspect in an attempted murder case. The police sketch looked remarkably like him and he had even described blacking out during the night in question; his only alibi was a journal kept by his friend, which explained that the two had been taking MDMA on the other side of town that night.

Early career
Farrell had roles in television shows and films, including Ballykissangel and Falling for a Dancer in 1998 and 1999. He made his feature film debut in English actor Tim Roth's directorial debut The War Zone, a drama about an incident of child abuse, starring Ray Winstone and Tilda Swinton as parents of a girl Farrell's character (Nick) dates. Farrell also appeared in Ordinary Decent Criminal with Kevin Spacey and Linda Fiorentino, a film loosely based on the life of Martin Cahill. In 2000, Farrell was cast in the lead role of Private Roland Bozz in Tigerland, an under-released film directed by American Joel Schumacher. He reportedly got the part on the basis of his charm. Emanuel Levy of Variety said that Farrell "shines as the subversive yet basically decent lad whose cynicism may be the only sane reaction to a situation". Michael Holden of The Guardian wrote that Farrell was "too much the hero" to fit the classic rebel archetype properly, but he did not mind. Tigerland earned $139,500.

2001-2003: First box office successes
Farrell's next American films, American Outlaws (2001) and Hart's War (2002), were not commercially successful. His 2002–2003 films, including Phone Booth, The Recruit and S.W.A.T. (all thrillers, with the former two his first starring roles), were well received by critics and successful at the box office. Of Phone Booth, Ebert wrote that it is "Farrell's to win or lose, since he's onscreen most of the time, and he shows energy and intensity". Philip French of The Observer praised Farrell's performance. In S.W.A.T., Farrell starred in an ensemble cast including Samuel L. Jackson, Michelle Rodriguez, Olivier Martinez and Jeremy Renner; Renner became a friend. Alan Morrison of Empire wrote, "Farrell can usually be relied upon to bring a spark to the bonfire. That's also true of [this movie]." Elvis Mitchell of the New York Times criticised Farrell's accent, writing that he "employ[ed] a wobbly American accent that makes him sound like an international criminal a step ahead of the authorities". Ebert and The New York Times ' A.O. Scott disagreed on Farrell's effectiveness in The Recruit; Ebert noted Farrell's likability, but Scott felt that Farrell "spends his time in a caffeinated frenzy, trying to maintain his leading-man sang-froid while registering panic, stress and confusion". Phone Booth earned $46.6 million, S.W.A.T. $116.9 million and The Recruit $52.8 million at the box office.

Farrell's supporting roles include an ambitious Justice Department agent opposite Tom Cruise, a potential criminal in Minority Report (2002), and the villain Bullseye in Daredevil (2003). Matt Damon was originally offered the Minority Report role, turning it down to appear in Ocean's Eleven. Farrell said "he had no problem" being the producer's fallback after Damon declined. Bullseye is an assassin, proud of his accuracy. Farrell was signed to the role in December 2001, although he was considered for the lead role of Matt Murdock (Daredevil) until Ben Affleck signed. Farrell was encouraged to keep his Irish accent, since this version of Bullseye is from Ireland. He read Frank Miller's Daredevil comics to understand Bullseye "because the expression on the character's faces in the comic books, and just the way they move sometimes, and the exaggerations of the character I'm playing... he's so over-the-top that you do draw from that. But it's not exactly a character you can do method acting for...you know, running around New York killing people with paper clips". That year, he was voted sixth World's "Sexiest Man" by Company magazine.

2003-2008: From independents to epics
In late 2003 Farrell starred as a criminal who plots a bank robbery with Cillian Murphy in the dark comedy Intermission, which held the record for highest-grossing Irish independent film in Irish box-office history for three years and remains a cult classic there. In 2004, he appeared in several other independent films receiving limited theatrical release in most countries, including A Home at the End of the World (adapted from Michael Cunningham's A Home at the End of the World). Roger Ebert praised Farrell, saying that he was "astonishing in the movie, not least because the character is such a departure from everything he has done before". Mick LaSalle of the San Francisco Chronicle differed, saying that Farrell "is keen on making good....The effort is there, but it's a performance you end up rooting for rather than enjoying, because there's no way to just relax and watch".

Farrell played the title role of Alexander the Great in Oliver Stone's 2004 biographical film Alexander, which, while receiving some favourable reviews internationally, was poorly received in the United States. Its portrayal of the conqueror as bisexual was controversial; the film was criticised by some historians for its treatment of the ancient Persians, although others praised it for its accuracy. An ancient-history scholar at the University of Nebraska wrote:"I would compare [Alexander] to Lawrence of Arabia, in terms of sheer scope, pacing, and its unrelenting focus on a single individual.... In many ways, this is a movie for Greek and Alexander 'geeks.' The more one knows, the more one will recognise—the historical accuracy of sets is better than I've seen in some documentaries."The film grossed $167 million worldwide, just exceeding its budget of $155 million.

Farrell's next film was 2005's Academy Award-nominated The New World, his second historical epic. He played the lead role of Captain John Smith, the founder of 17th-century colonial Jamestown, Virginia who falls in love with the Native American princess Pocahontas (Q'Orianka Kilcher). Director Terrence Malick went out of his way to keep Farrell and Kilcher apart until they were filmed together. Although it was released in only 811 theatres worldwide and had a relatively low box-office gross, the film received a large number of positive reviews. In one of four reviews in The Guardian, John Patterson described it as a "bottomless movie, almost unspeakably beautiful and formally harmonious". The New World was followed by Ask the Dust, a period romance set in Los Angeles based on a John Fante novel and co-starring Salma Hayek. Reviews were mixed; Manohla Dargis of The New York Times favourably described Farrell's work, but Peter Bradshaw of The Guardian found "something a little forced in both lead performances". With a limited theatrical release, it was not a financial success.

Farrell was more successful in 2006 with his role opposite Jamie Foxx in Michael Mann's action crime drama, Miami Vice. The film grossed $164 million worldwide on a budget of $135 million, and TimeOut New York ranked it among the top 50 movies of the decade. (The DVD, released the same year, also managed to sell over a million copies (equivalent to $7.91 million in pirated versions) in its first week alone., and, as of 11 February 2007, had grossed over $36.45 million in rentals. A. O. Scott criticised Farrell's work: "When he's not on screen, you don't miss him, and when he is, you find yourself, before long, looking at someone or something else." Conversely, Peter Travers of Rolling Stone was enthusiastic. Farrell also reportedly took a slight pay cut to make friend and recent Oscar winner Jamie Foxx happy: His salary was initially larger than Foxx's.

Farrell next appeared in Woody Allen's Cassandra's Dream, which premiered in 2007 and was distributed in the US in early 2008. Reviews were mixed, with Maitland McDonagh of TV Guide writing that Allen's work was "shallow and unconvincing from beginning to end" and Mick LaSalle of the San Francisco Chronicle saying that although "it's not as good as Match Point or Crimes and Misdemeanors...taken on its own, it's a fairly impressive piece, a directorially vigorous, well-acted, tightly constructed movie". LaSalle praised Farrell: "Allen is notorious for not giving his actors explicit instructions, and yet somehow this worked wonders for Farrell, who has never seemed so naked, so clear and so unencumbered as he does here." Manohla Dargis concurred in the New York Times, adding that she thought Farrell was well-matched with co-star Ewan McGregor.

Farrell's next film, Martin McDonagh's first full-length feature In Bruges, opened the 2008 Sundance Film Festival. While The New Yorker and TimeOut London 's film critics found co-star Brendan Gleeson's performance the stronger of the two, Bradshaw of The Guardian found Farrell (as hitman Ray) "absolutely superb: moody and funny, lethally sexy, sometimes heartbreakingly sad and vulnerable like a little boy". Time magazine described the film as "the prettiest bloodbath of 2008", and Farrell won his first Golden Globe Award.

Shortly thereafter he appeared in Kicking It, a documentary following six homeless men from Kenya, Russia, Afghanistan, Ireland, Spain and the US as they attempt to qualify for the Homeless World Cup. Farrell appeared on screen and provided the narration, donating his earnings to a homeless shelter in Ireland. The film was released simultaneously in theatres and on television, airing on ESPN2 in a very short window before its DVD release. Farrell received positive reviews for his involvement in the true story.

Later in 2008 Farrell was brother-in-law to Edward Norton's character in Pride and Glory, a police drama directed by American Gavin O'Connor. Roger Ebert disliked the film and A. O. Scott said that Farrell "once again indulges his blustery mixture of menace and charm, overdoing both," but Gregory Kirschling of Entertainment Weekly liked Farrell's work.

2009-2010: More independent productions
On 11 January 2009, Farrell won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for In Bruges, in which he co-starred with Brendan Gleeson. That year he also appeared in Terry Gilliam's film The Imaginarium of Doctor Parnassus, starring Christopher Plummer and Andrew Garfield. Farrell was one of three actors (with Johnny Depp and Jude Law), who helped to complete Heath Ledger's role when Ledger died before filming ended. They played "Imaginarium" versions of Ledger's character Tony, donating their earnings to Ledger's daughter Matilda.

Farrell also starred that year in Triage, directed by Oscar-winning Bosnian screenwriter and director Danis Tanović, about the life of a war correspondent. He lost 30 pounds for the role. Farrell's work was described as "dedicated" by Variety 's Todd McCarthy, and Julian Sancton of Vanity Fair wrote that the film was "a hell of a lot more insightful than other movies that deal with a similar topic". However, Triage was not widely distributed due to the marketing challenges posed by its difficult topics (including PTSD). That year, Farrell played a supporting role (as Tommy Sweet) in Crazy Heart with Jeff Bridges.

Another 2009 release was Ondine, a fantasy-drama directed by Neil Jordan starring Farrell as a fisherman with a handicapped daughter. Shot in the village of Castletownbere on Ireland's southwest coast, it featured cinematography by longtime Wong Kar-wai collaborator Christopher Doyle. Mary Pols of Time magazine called the role "tailor-made for Farrell", saying that Farrell gave a "beautifully confident performance". Todd McCarthy of Variety singled Farrell out, noting that he worked well as an ensemble actor "graciously allowing [child star Alison Barry] to steal every scene she's in".

The next year, Farrell starred with Keira Knightley in the crime romance London Boulevard. The film, American William Monahan's debut as director after writing screenplays for The Departed and Body of Lies, was panned by critics. Peter Bradshaw of the Guardian wrote that the film "uses up all its energy, wit and ideas in the first 20 or so minutes, before collapsing into a flurry of boring violence". Leslie Felperin of Variety described it as "like a fancy, retro-styled pocket watch that someone accidentally broke and tried to reassemble with only a vague idea of clockwork". Felperin thought the stars' work was frail, with Farrell "mostly taciturn and vacuous."

2011-present: Blockbuster and independent films
Farrell starred in the 2011 comedy Horrible Bosses, directed by Seth Gordon, with Jennifer Aniston, Jason Bateman, Charlie Day, Jason Sudeikis and his Miami Vice co-star Jamie Foxx. The film focuses on a trio of employees who plot to murder their tyrannical superiors.[89] The London Observer's Mark Kermode wrote that although the film would have benefited from a tighter script, Farrell and Foxx had juicy roles which they "riff with panache".[90] Michael Phillips of the Los Angeles Times wrote that Farrell brought "massive, slobby relish" to his role as Sudeikis' cocaine-fiend boss.[91] Later that year, Farrell played the main antagonist in the Fright Night remake,[92] joining Anton Yelchin, David Tennant and Toni Collette in the story of a charismatic vampire who moves next door to a high-school student and his single mother. The film was released by DreamWorks, with Craig Gillespie (of Lars and the Real Girl) directing a script by Buffy the Vampire Slayer writer Marti Noxon. Sukhdev Sandhu of The Telegraph wrote that Farrell "proves his comedy credentials once more....utterly seductive as the plushly eyebrowed carpenter-cum-bloodsucker",[93] while The New York Times' A.O. Scott thought that Farrell played his role with "a wink and a snarl and a feline purr".[94] Logan Hill of New York magazine, on the other hand, was confused by Farrell's performance: "Sure, [it] may not make much sense, but neither do centuries-old vampires living in Nevadan subdivisions. So he goes for it."[95]