User:ShodaiMeesmothLarva/Sandbox/Under Construction

Asteroid Clara: The Director's Cut
Asteroid Clara: The Director's Cut is a 2026 Japanese-Philippine disaster drama film co-produced by Toho and GMA Pictures. It is a heavily re-edited version of the 2020 film #JusticeForLove: End of the World''.

Directed by Gina Alajar, and starring Rebecca Rittenhouse, Max Collins, and Yasmien Kurdi, the film's story focuses on the discovery of a 10-kilometer asteroid on a collision course with Earth, and a depressed woman's attempt to reunite with her mother in Manila before the inevitable end of mankind.

First conceptualized in 2013 following the Chelyabinsk meteor event, the film was adapted from the screenplay of The Last War, and inspired by the Cretaceous–Paleogene extinction event, also incorporating elements from the Philippine drama genre.

Plot
To be added.

Cast

 * ''All cast members are credited under their real names.

Actor's name on the left, character played on the right.
 * Rebecca Rittenhouse as Clara Young
 * Isabelle Abiera as Mylene Concepcion
 * Yasmien Kurdi as Alicia Salvacion
 * Rose Byrne as Lorraine "Lori" Jones
 * Jay Manalo as Gregorio Soriano
 * Gabriella Wilde as Jessica Morgan
 * Mariam Al-Alawi as Andrea Concepcion
 * Gineb Macalinao as Corazon Salvacion
 * Rosario Rodriguez as Romina Salvacion
 * Jade Lopez as Stephanie "Steffi" Perez
 * Ysabel Ortega as Olivia Imperial

Additionally, Therlyn Alcuitas portrays Eileen Salcedo, Alicia's supportive best friend in the Philippines. Mikael Daez portrays Nathan Castillo, Alicia's ex-husband. Kris Bernal portrays Lynette, Nathan's current wife, Caprice Cayetano and Seth dela Cruz both portray Corazon's twin children.

Scenes featuring Martin del Rosario, Empress Schuck, Jason Abalos, and Dion Ignacio, that were present in the original version, were removed. Raymond Bagatsing and Kit Thompson still does not appear in this version.

Staff
Staff role on the left, staff member's name on the right.
 * Directed by Gina Alajar
 * Produced by Darling Pulido-Torres, Shusuke Kaneko
 * Screenplay by Ryuhei Kitamura, Masato Kato
 * Story by Des Garbes-Severino, Maria Zita S. Garganera, Suzette Doctolero
 * Adapted from the screenplay of The Last War written by Toshio Yasumi
 * Inspired by the Cretaceous–Paleogene extinction event
 * Music by Shiro Sagisu
 * Cinematography by Kosuke Yamada, Taro Kawazu
 * Edited by Hiroshi Okuda
 * Special effects by Eiichi Asada, Makoto Kamiya

Locations

 * United States
 * San Francisco
 * Sacramento
 * New York City
 * Chicago
 * Philippines
 * Manila
 * Japan
 * Tokyo
 * France
 * Paris
 * Nepal
 * Himalayas
 * Panama
 * Panama Canal
 * United Kingdom
 * London
 * Greece
 * Athens
 * Australia
 * Sydney
 * Mexico
 * Mexico City

Weapons, vehicles, and races

 * 2020 NA (Clara)

Alternate titles
To be added.

Themes
The film uses overlapping themes to depict its story and as a way for the audience to interpret the film in their own liking.


 * Human arrogance – The contemporary human civilization is constantly depicted as arrogant and destructive, as shown from Alicia's perspective, in which everyone, even her own family and relatives, despised her for various reasons related to self-importance. The extinction of the human race, and the destruction of its civilization, parallels Alicia's miserable life, albeit on a global scale; accomplishments were easily destroyed in an instant, just like what Alicia experienced, such as the Empire State Building being destroyed during the firestorm sequence.
 * Human extinction – In this view, the human race is seen as a failed species, the rise of civilization and technological advancement only resulted in increasingly impacting Earth's environment in a negative way, such as rapid population growth, overconsumption, overexploitation, pollution, and deforestation. A decline in biodiversity and changes in Earth's climate is observed while human civilization continues to expand rapidly. The impending impact event is interpreted as a natural way to get rid of the human race, while allowing Earth's biodiversity to gradually recover afterwards, just like what happened with the Cretaceous–Paleogene extinction event 66 million years ago.
 * Depression – The impact event could be an obvious metaphor for depression, just like with the 2011 film Melancholia. Throughout the story, each of the events depicted appears to parallel with Alicia's worsening health condition. The asteroid threat is first discovered at the same time Alicia meets Mylene, which prevented her from commiting suicide; Mylene is framed when Alicia is about to leave San Francisco; the asteroid deflection plan fails after Alicia blames Mylene for her mother's death; and the impact event being shown after Alicia wishes for a second chance.
 * Apocalypse eschatology – The impending impact event is also used as a metaphor for Christian beliefs regarding the Last Judgment, in which God will punish the wicked and reward the faithful, and predicts that negative world events will reach a climax. In this case, Alicia's miserable life reached its climax when she is diagnosed with internal bleeding in her brain, and is later rewarded with a chance to start anew with the people who actually loved her, while the rest of the human race is punished for despising Alicia, by letting the asteroid impact Earth and wipe out their civilization. The original ending further depicts this theme, showing Alicia reuniting with her loved ones in the afterlife, but is removed in the international version.
 * Asteroid impact avoidance – The final scene shows a disclaimer stating that the events depicted is a work of fiction that could happen in reality, warning the audience to work together as a species to avoid extinction like what happened to the non-avian dinosaurs during the Cretaceous–Paleogene extinction event 66 million years ago.

Production
To be added.

Release
To be added.

Reception
To be added.

Video releases
To be added.

Trivia
To be added.

Life After Death
Life After Death is a 2023 Philippine drama film produced by [studio name], and directed by [director name]. Starring Yasmien Kurdi, the film's story focuses on a woman's attempt to communicate with her husband and daughter in the afterlife after realizing she suddenly died while in Italy.

Originated as a television drama series by GMA Network, then conceptualized as a spinoff to the Justice for Love duology, the concept eventually evolved into a standalone film following the success of #JusticeForLove: End of the World in 2020, and the subsequent expiration of rights to the Justice for Love duology by 2022.

Upon release, the film recieved mixed to positive reviews, with praise to its story, acting, and cinematography, with criticism towards the screenplay and theme. It was a box office success, grossing [revenue] at the end of its theatrical run, against a production budget of [budget].

Synopsis
The story revolves around the life of Silvia Angeles. An aspiring mother and actress, her perfect and peaceful life is permanently shattered when one day, she suddenly finds out that she's already dead, after being unable to interact with the world around her. In her remaining 40 days, she must find a way to communicate with her husband and daughter, and to find out what actually happened to her.

Plot
To be added.

Cast
Actor's name on the left, character played on the right.
 * Yasmien Kurdi as Silvia Angeles

To be added.

Themes
The film's theme mostly focuses on thanatophobia, as the lead protagonist (Silvia), being a celebrity, at the same time as a mother, have the greatest concern about death due to her caring role within the family, as it emphasizes the 'importance to live' for her offspring, in this case, her 9-year old daughter. Later, after her death, her soul does not remember the exact moment she died, as a direct result of her fear of death. As she realizes that souls has only 40 days since death before disappearing into the afterlife, she must overcome her fears to find out what happened to her, and for her family and loved ones to know her actual fate.

Production
Development began as early as 2017, as a television drama series of the same name by GMA Network, when it was announced during New Year's Eve as part of the network's yearly tradition of announcing new projects on the beginning of a year. However, beyond the announced title and theme, virtually almost all information regarding the series remains unknown, leading to assumption that the project was most likely abandoned and scrapped.

Sometime after 2021, development restarted when it was conceptualized as a spinoff to the Justice for Love duology, following the cancellation of the second Justice for Love Presents series due to unknown reasons. However, by May 2022, GMA Pictures' three-year license to the Justice for Love trademark expired, and GMA Network allowed their rights to revert back to Toho, abandoning plans for further installments or spinoffs to the Justice for Love duology.

Release
To be added.

Box office
To be added.

Reception
To be added.

Trivia

 * The film's lead protagonist, Silvia Angeles, is a fictionalized version of Yasmien Kurdi. This is further evidenced by the fact that both share the exact same similarities; an aspiring mother and actress, married and gave birth to a daughter, frequently sharing personal vlogs on her social media, and is living in a peaceful, normal life.