Sesame Street Live!/Transcript

Staples Center
The show begins with Bruno the Trashman (performed in-costume by Jim Kroupa) entering the stage with a trash can. Bruno drops the can and leaves.

Oscar the Grouch (performed by Eric Jacobson with assistance from Paul McGinnis) pops out of the can.

OSCAR: Oh, hello. Welcome to Sesame Street. How's everyone tonight?

(audience cheers)

OSCAR: Yeah? Well, I feel dirty and rotten! In other words, I feel like my old Grouchy self. Uh, I suppose it's time for you to get outta your seats for the national anthem.

The audience stands up and the American flag appears on screen as an instrumental of The Star Spangled Banner plays.

OSCAR: Oh, don't get me wrong. We Grouches are thankful for this country, too. We're thankful for all the trash, bad aromas and angry people we get every day! Heh-heh-heh! But we honor this nation by performing the embodiment of our representation in this democratic dump heap: the patriotic Grouch Anthem.

Record scratches are heard as the music for the Grouch Anthem starts to play.

OSCAR: Now, for the Grouch Anthem, you stay sitting down. Now get comfy there, but not too comfy, 'cause I'm gonna sing.

Grouches of the world, unite Stand up for your Grouchly rights Don't let the sunshine spoil your rain Just stand up and complain

Let this be a Grouch's cause Point out everybody's flaws Something is wrong with everything Except the way I sing!

Ten other Grouches (performed by Kevin Clash, Martin P. Robinson, David Rudman, Joey Mazzarino, Matt Vogel, Peter Linz, Jim Martin, Tyler Bunch, Noel MacNeal, and John Kennedy with assistance from Leslie Carrara-Rudolph, Ryan Dillon, Tim Lagasse, Lara MacLean, Pam Arciero, Tau Bennett, Carmen Osbahr, Jennifer Barnhart, Warrick Brownlow-Pike, and Stephanie D'Abruzzo) appear around Oscar.

OSCAR: You know what's right with this country? Nothing. Wanna know what gets me hot under the collar? You name it! So the next time some goody-two-shoes comes by and tells you to have a nice day, always remember...

Don't let the sunshine spoil your rain Just stand up and complain Just stand up and complain!

The Grouches disappear.

OSCAR: Well, I guess the show's about to start now, so let me leave you with these words: "Have a rotten day!" Heh-heh-heh! Ugh!

Oscar pops back into his can, which is hauled away by a vaudeville cane.

Now, Trevor Monster (performed by Ryan Dillon with assistance from Carmen Osbahr) arrives on stage.

TREVOR: Hi. I'm Trevor. I'm the director's assistant for the Sesame Street stage show tour, and boy, have we got a show for you! Hmm...but there doesn't seem to be a "we" anywhere. I better call the rest of the guys.

Somebody come and play Somebody come and play today Somebody come and smile some smiles And sing some songs; it won't be long Somebody come and play today

Somebody come and play Somebody come and play my way Somebody come and laugh some laughs And rhyme some rhymes; it won't take time Somebody come and play today

Somebody come with me, and see the pleasure in the wind Somebody see the time is getting late to begin

Somebody come and play Somebody come and play today Somebody come and be my friend And watch the sun 'til it rains again Somebody come and play today

Prairie Dawn (performed by Stephanie D'Abruzzo with assistance from Leslie Carrara-Rudolph) enters the stage.

PRAIRIE DAWN: Sunny days Sweepin' the clouds away On my way to where The air is sweet

PRAIRIE DAWN & TREVOR: Can you tell me how to get How to get to Sesame Street?

TREVOR: Come and play Everything's A-OK Friendly neighbors there That's where we meet

PRAIRIE DAWN & TREVOR: Can you tell me how to get How to get to Sesame Street? How to get to Sesame Street? How to get to Sesame Street?

The beginning bars of "Rubber Duckie" start playing.

PRAIRIE DAWN: Oh! It's the next song in our medley. Take it away, Ernie!

Ernie (performed by Peter Linz with assistance from Karen Prell) pops up, dressed in only a towel, his hair full of soap, and holding his iconic bath toy.

ERNIE: Oh, Rubber Duckie, you're the one You make bathtime lots of fun Rubber Duckie, I am awfully fond of you Vo-vo-vo-de-oh!

Rubber Duckie, joy of joys When I squeeze you, you make noise Rubber Duckie, you're my very best friend, it's true!

Oh, every day, when I Make my way to the tubby I find a little fella who's Cute and yellow and chubby! Rub-a-dub-dubby!

Rubber Duckie, you're so fine And I'm lucky that you're mine Rubber Duckie, I am awfully fond of you!

Now, the beginning of "Doin' the Pigeon" plays.

PRAIRIE DAWN: Alright, Bert! You're on!

Bert (performed by Eric Jacobson with assistance from Tyler Bunch) enters the stage dressed like a pigeon.

BERT: Doin' the (coo-coo!) pigeon Doin' the (coo-coo!) pigeon Dancing a little smidgeon of The kind of ballet that sweeps me away

I'm doin' the (coo-coo!) pigeon Doin' the (coo-coo!) pigeon People may smile, but I don't mind  They'll never understand the kind of fun I find

In doin' the (coo-coo!) pigeon Doin' the (coo-coo!) pigeon Doin' the (coo-coo!) pigeon every day!

The beginning of "C is for Cookie" plays as Cookie Monster (performed by David Rudman with assistance from John Kennedy) pops up beside Prairie, holding a cookie.

PRAIRIE DAWN: Hi, Cookie Monster.

COOKIE MONSTER: C is for cookie; that good enough for me C is for cookie; that good enough for me C is for cookie; that good enough for me Oh, cookie, cookie, cookie start with C!

PRAIRIE DAWN: Alright, your turn, Big Bird!

Big Bird (puppeteered by Noel MacNeal with assistance from Jennifer Barnhart and voiced by Matt Vogel) enters the stage as "ABC-DEF-GHI" begins playing.

BIG BIRD: ABC-DEF-GHI-JKL-MNOP-QRSTU-VWXYZ It's the most remarkable word I've ever seen ABC-DEF-GHI-JKL-MNOP-QRSTU-VWXYZ I wish I knew exactly what I mean

It starts off as an 'A' word, as anyone can see But somewhere in the middle, it gets awfully 'QR' to me!

ABC-DEF-GHI-JKL-MNOP-QRSTU-VWXYZ If I ever find out just what this word can mean I'll be the smartest bird that you have ever seen!

Now, the chorus of "Song of the Count" plays.

PRAIRIE DAWN: You're next, Count.

The Count (performed by Matt Vogel with assistance from Alice Dinnean) enters the stage.

COUNT: I count slowly, slowly, slowly getting faster Once I've started counting, it's really hard to stop Hey! Faster, faster; it is so exciting! I could count forever; count until I drop!

Oh! 1, 2, 3, 4, 1-2-3-4, 1-2-3-4 1-2, I love counting, whatever the amount! Yes! 1, 2, 3, 4, heyayayay, heyayayay 1-2-3-4, 1-2, that's the song of the Count! Ah-ah-ah!

On cue, the Count's trademark lightning and thunder hit the theater.

The start of "Elmo's Song" plays next, as Elmo (performed by Kevin Clash with assistance from Paul McGinnis) comes in playing a piano.

PRAIRIE DAWN: Take it, Elmo!

ELMO: This is the song, la la la la, Elmo's song La la la la, la la la la, Elmo's song La la la, la la la la (La la la la la) La la la, la la la la (La la la la la) Elmo loves to sing, la la la la, Elmo's song La la la la, la la la la, Elmo's song He wrote the music, he wrote the words That's Elmo's song!

The gang assembles in the middle of the stage.

PRAIRIE DAWN: So, is that everyone?

BIG BIRD: Well, only a few of us. There are still so many of us who came here.

ELMO: Yeah, but Elmo thinks there's someone missing.

ERNIE: Hey! I know who you're talking about!

Everyone looks at the audience.

EVERYONE: You!

"Welcome!" begins to play.

PRAIRIE DAWN: We wanna say "welcome!" (Welcome!) Welcome to the party

ELMO: We wanna say, "Our house is your house today!"

BERT: We're feeling so happy; happy just to see you

ERNIE: Happy we can tell you, in our nicest way

BIG BIRD: ''Hello, my friends! Hold out your hand And take all we have to give''

TREVOR: The world is a friendly, smiling place full of love When you know the way to live

Telly Monster (performed by Martin P. Robinson with assistance from Pam Arciero) and Baby Bear (puppeteered by John Tartaglia with assistance from Vicki Kenderes-Eibner and voiced by David Rudman) join in.

TELLY: We wanna say "thank you!" (Thank you!) Thank you all for coming

BABY BEAR: Thanks for all the good things we share, and come one day

EVERYONE: We wanna say "welcome!" (Welcome!) Welcome to the party

COOKIE MONSTER: Me wanna say "Welcome, me friends!"

EVERYONE: Welcome every day!

COUNT: That is 8, 8 "welcome"s! Ah-ah-ah!

Thunder and lightning hit the stage again.

The song ends and the Muppets leave the stage.

The spotlights then do ballyhoos around the audience as Guy Smiley's voice is heard.

GUY SMILEY (off-screen): Ladies and gentlemen, boys and girls, live from Staples Center in Los Angeles, California, welcome to Sesame Street! And now, here are your hosts, the greatest comic duo on children's TV, Bert and Ernie!

Ernie (now assisted by Haley Jenkins) and Bert (assisted by Paul McGinnis) enter the stage as the crowd cheers.

ERNIE: Thank you, Mr. Smiley! Hello, everybody! Welcome to Sesame Street, live at the Staples Center! And boy, oh boy, have we got a great show for you all tonight!

BERT: Yes, a great...wait, a great show, Ernie? How can you guarantee that? I mean, we're not on the east coast in New York; we're on the west coast, in L.A.!

ERNIE: It's easy, Bert. We'll win over these thousands of people out there, in the audience, who paid good money to this show, with our patented and foolproof stage show formula.

BERT: Our "stage show formula"? What's that?

ERNIE: Our stage show formula is this: two shows in one!

BERT: Oh, I get it! You mean, "Two shows for the price of one," right? (muttering) Wait, how does that make any sense?

ERNIE: No, no, Bert. Two shows in one.

BERT: "Two shows in one"? What does that mean?

ERNIE: What that means is, show number one!

Ernie looks left and right.

ERNIE: If you look to your left, then to your right, you will find a giant screen above either side of the stage. Now, these screens frame me, you, and the rest of our friends. This is what they call "the puppet show".

BERT: Oh.

ERNIE: Show number two! It's a concept none of us fully understand, and it happens just underneath show number one. Bert, look down.

Bert and Ernie look down.

BERT: (gasps in horror, whispering in a frightened tone): There are people down there!

ERNIE: Yes. Apparently, they're called "puppeteers", and basically, they're responsible for every little thing we say or do.

BERT: What?! Ernie, are you saying we're not real people?!

ERNIE: Well, we're being controlled by people who are real, who are speaking while we're speaking, and they're moving our mouths by moving their hands. So, yes, we're not "real" in the most common sense of the word.

BERT: So what you're saying is, you, I, and probably all of our friends, are nothing but inanimate objects, controlled by these weirdos underneath us in a manner that creates the illusion that we're alive. In short, we're all puppets, right?

ERNIE: Correct. And the scariest part is, really tall friends like Big Bird have a person inside of them, and they move them around using their own bodies.

BERT: This is all making me very uncomfortable.

ERNIE: Me, too.

BERT: But it does explain why Big Bird's right arm looks so dead most of the time.

ERNIE: True. Anyway, with that awkwardness out of the way, let's get right to the show. First, I will try to explain the history of Sesame Street, using the latest in presentation technology: a slideshow montage.

A giant screen above the stage lowers toward Bert and Ernie.

ERNIE: You see, people have often wondered, how did we get here? Short answer: Not the easy way. Short answer long: Sesame Street, the overall concept and ideas behind the show, came mainly from the mind of one extraordinary woman.

The montage begins with a picture of Joan Ganz Cooney.

ERNIE: Yes. Over fifty years ago, Joan Ganz Cooney here, and a talented group of producers, educators and researchers, formed the Children's Television Workshop, a nonprofit organization dedicated to producing high-quality, revolutionary educational content designed to aid and assist in child learning development. Or, as our current motto states, we are helping kids grow smarter, stronger and kinder. Our mission has extended around the world, in 150 countries, and we have talked to kids in countless different languages. And, like all progressive ideas, it all started with a simple question, a question that would overtime come to change the very face of public television. Cooney wanted a variety of things that kids would want to see on TV, and use those things as sort of a teaching device. Things like puppets, and cartoons, and adult figures, and commercials. And speaking of puppets, Cooney knew just the puppet master he wanted to create new characters.

The montage now shows Jim Henson.

ERNIE: Him. Jim Henson here. Now, he and the dedicated group of talented men and women who are the Muppet performers have turned puppetry, a simple art form once thought of as mere child's play, into an entertainment empire that appeals to all ages, using mainly the best actors, artists and creative minds in the industry. But, Mr. Henson was hesitant to join the Sesame Street creative team, as he was afraid of seeing himself and his colleagues being stuck with working exclusively on children's television. But, eventually, Henson and company created the first puppets for the new show.

Clips of Ernie and Bert from the Sesame Street test pilot are shown.

BERT: Hey! That's us!

ERNIE: Right. Of all the puppets you see on Sesame Street, Bert and I were the first, the grandfathers of all the characters, the ones who started it all. We were instantly popular. Perhaps, a little too popular. The tests showed that kids were most interested in puppet shows. Who knew?

BERT: Who knew?

ERNIE: So Henson and friends were tasked with making new characters and putting them on the street. Two icons were thus born: an 8 ft. yellow bird, and a monster who lives in a trash can. We know them simply as Big Bird and Oscar the Grouch.

BERT: And then, the others soon followed. Cookie Monster, Grover, Little Bird...

ERNIE: Roosevelt Franklin, Lefty the Salesman, Kermit...

BERT: Ker...wait! Kermit?

ERNIE: Yeah. Kermit the Frog.

The Sesame Street pitch reel, particularly the part where Kermit suggests the show's title to Rowlf the Dog, plays.

BERT: Hey. Who's the dog?

ERNIE: Oh, that's Rowlf. He's a friend of Kermit's. I hear he's a good piano player, too.

BERT: So that was it, huh? The moment when Sesame Street was born.

ERNIE: Kinda. Oh, and we can't forget the rest of our friends.

BERT: Oh, yeah! Sherlock Hemlock, Herry, Prairie Dawn, Snuffy, the Count, Mumford, the Two-Headed Monster...

ERNIE: Barkley, Telly, Forgetful Jones, Elmo, Hoots, Baby Bear, Rosita, Zoe...

BERT: Abby, Murray, Julia, Rudy and Gonger!

ERNIE: Plus lots of friends we don't have time to mention now.

BERT: Hey, Ernie, I think a lot of people are wondering just why we are so successful and popular, even today.

ERNIE: To which the answer is, we always update ourselves to keep up with what's going on around us. Well, that and, unlike most other TV shows of the past and today, we are not afraid to tackle any topic that we feel needs to be discussed in family households. For example, we've got our lessons about the ABCs' and 123s'; we've got our lessons about colors, shapes and patterns; we've got our morning and bedtime routines, healthy habits, music and creativity. But when we need to get our hands dirty and tackle the big topics, we're all ready and focused on the lesson at hand. Lessons like bullying, emergencies, incarceration, community service and even death have become commonplace talking points on our grounds.

BERT: Wait. Death?

ERNIE: Yeah. Remember when our old friend Mr. Hooper died?

A clip of Big Bird learning about Mr. Hooper's death is shown.

ERNIE: Hmm. A Sesame Street classic.

BERT: Oh, poor Big Bird. He's 6 years old. Did he really have to learn about death at that age?

ERNIE: Well, everyone has to, sooner or later.

BERT: Yeah, but not when...

GROVER (off-screen): Hello, everybodyyyyyyyyyyy!!!

Grover (puppeteered by John Tartaglia with assistance from Lara MacLean and voiced by Eric Jacobson) runs onstage and slaps Bert's back hard.

GROVER: Hiya, Bert! Hi, Ernie.

ERNIE: Hey, Grover! You're late.

GROVER: Yes, I know. But as you know, all that running around can make a monster like me very tired, so that is why I missed the bus.

ERNIE: Well, if you missed the bus, how on Earth did you get here?

GROVER: No problem. I had a pretty limo driver get me all the way to the theater.

ERNIE: Really? Who?

GROVER: I will show you. Marissa!

A chauffeuse dressed all in black (played by Colleen Smith) enters the stage.

GROVER: Yes. Marissa here drove me all the way to the Staples Center on time. Or, she tried to, if it were not for all of the traffic at the center of the city. Good grief, is it busy!

BERT: How busy is it?

GROVER: It is so busy that even people on the sidewalk have to wait for hours just to move!

BERT: (laughs) That's actually a good one.

ERNIE: Yes, it is, but Grover?

GROVER: Hmm?

ERNIE: We don't need you on the show yet, so why don't you do something while you wait.

GROVER: OK, OK. Hey, Marissa? Can you please drive me around Hollywood?

The chauffeuse grabs Grover's nose and drags him away.

GROVER: Ow! Not my nose, Marissa! Ouch! It's like you're trying to yank it off! Ow! Let go of my nose! How do I smell?!

BERT: Depends! How often do you wash yourself?

The audience groans.

BERT: I know, that was a bit of a cheap shot.

ERNIE: (clears throat) As I was about to say, the success of Sesame Street hasn't been exclusive to here in the United States. There's a reason why we're sometimes called "the longest street in the world."

BERT: There is? Why?

ERNIE: Because over the years, we have taught children in over 150 countries worldwide.

BERT: Wow!

The audience cheers.

ERNIE: And it's a good thing we have relatives and friends from around the world, too. Like Abelardo, Big Bird's cousin from Mexico.

BERT: Wolle and Pferd, our friends from Germany.

ERNIE: No'man and Melsoon from Kuwait.

BERT: Moishe Oofnik, Oscar's cousin from Israel.

ERNIE: Chamki from India.

BERT: Pino from The Netherlands.

ERNIE: And the Furchester family from the U.K. And you'll get to meet them and more! May you allow us to present this next montage? It's called, Sesame Street Around the World.

A montage of theme songs from Plaza Sesamo, Sesamstrasse, Sesamstraat, Iftah Ya Simsim, Rechov Sumsum, Alam Simsim, Galli Galli Sim Sim, Barrio Sesamo, 1 Rue Sesame, Vila Sesamo, Zhima Jie, Sesame Street Japan, Sisimpur, Ulitsa Sezam, Takalani Sesame, Sesame Park, Jalan Sesama, Shara'a Simsim, Rua Sesamo, Sesam Stasjon, Susam Sokagi, Ulica Sezamkowa, Sesame Tree and The Furchester Hotel plays.

ERNIE: Oh, we do love our pals from around the world. Don't we, Bert?

BERT: I don't know. I haven't met most of them.

ERNIE: I had a feeling you would say that.

BERT: You did?

ERNIE: Because tonight, for the first time in Sesame Street history, you will see a group of people, monsters and animals from around the world parade across this very stage.

PRAIRIE DAWN: (off-screen): Ernie! Bert!

Prairie (now assisted by Carmen Osbahr) runs onstage.

PRAIRIE DAWN: Hi! Sorry about the footprints I'm leaving on the stage. My shoes are getting shined and I tossed my socks into this week's dirty laundry. Anyway, guys, I'm afraid I have some bad news in regards to the... (clears throat) parade you're planning for the show.

BERT: Oh? What's that?

PRAIRIE DAWN: You see, all those people you invited over to be in your parade? Well, first off, they live too far away to make it here in time. And even if they lived fairly close, they would need to board an airplane, and waiting in line takes forever where they live. And on top of that, they would need to pay to be on the airplane, and most of them aren't old enough to make money yet. And top of that, many of them would need to get a passport if they wanted to travel overseas, and that would...

BERT: OK, OK, OK! We get it! They're not coming.

ERNIE: Rats! Sorry, everyone, it looks like our around-the-world-parade is cancelled.

(audience groans in disappointment)

PRAIRIE DAWN: Don't worry, guys. I'll go out and find a few things to put in its place.

ERNIE: Hey, Prairie! Do you think we should do a salute to comic books instead?

PRAIRIE DAWN: No!

ERNIE: OK! Just a suggestion! Now, where was I? Oh yeah. But perhaps--perhaps the most essential key in making Sesame Street the hit it is today is our use of music. Everyone has a favorite song, and we try to introduce kids to those songs as often as we can.

BERT: And many of us have special songs that say who we are, what we do and what he like.

ERNIE: True. Why, there's you and "Doin' the Pigeon"...

BERT: You and "Rubber Duckie"...

ERNIE: Cookie Monster has "C is for Cookie"...

BERT: And Big Bird likes to sing "Abba..." uh, "Appard..." "Abby-decker"--

BIG BIRD (off-screen): "ABC-DEF-GHI-JKL-MNOP-QRSTU-VWXYZ"!

Ernie and Bert, having looked off-screen, look at the audience with bewildered expressions.

BERT: Well, that's easy for him to say.

ERNIE: Mm-hmm. Oh, and Oscar the Grouch has an anthem of his own.

BERT: Yeah, that's right! He does!

ERNIE: And here to sing it, ladies and gentlemen, the one and only--

PRAIRIE DAWN (off-screen): Wait!

Prairie returns to the stage.

PRAIRIE DAWN: We have to get through the opening number first!

BERT: What?

PRAIRIE DAWN: Besides, the number after that is a song about love.

ERNIE: We're not gonna start a Sesame Street live show with a Sesame Street song? Then what are we starting off with?

PRAIRIE DAWN: This.

Prairie hands Ernie the script.

ERNIE (reading from script): To kick things off, we have the King of Pop himself, Michael Jackson, to sing one of his greatest hits.

Ernie looks at Prairie with a shocked expression.

ERNIE: Um...Prairie? Michael Jackson is dead.

PRAIRIE DAWN: Ah, but you see--

Prairie whispers into Ernie and Bert's ears; the audience cannot hear what she's saying.

Ernie and Bert look at the audience, then each other, with confused and surprised expressions.

BERT: We're all gonna be booed out of California for this.

ERNIE: My thoughts exactly, Bert. (worried whimper)

Bert, Prairie and Ernie exit the stage.

As they do, a Lavender Anything Muppet caricature of Michael Jackson (puppeteered by Karen Prell with assistance from Colleen Smith, who remains in her Marissa outfit for the entire show) appears, lip-synching and dancing to "The Way You Make Me Feel", while backed up by three male Anything Muppets in tuxedos (a Fat Blue AM puppeteered by Tyler Bunch, a Green AM puppeteered by Alice Dinnean, and a Pumpkin AM puppeteered by Bruce Lanoil). At the end of the song, the MJ AM receives applause and flowers from the audience as he jams offstage.

Ernie and Bert return to the stage, with mindblown expressions directed at the cheering crowd.

BERT: You--you actually enjoyed that?!

The audience responds positively.

ERNIE: Looks like the Michael Jackson tribute artist is a fan favorite.

BERT: No kidding.

ERNIE: And now, folks, to sing a song about love, is one of the most beloved Sesame Street characters of all time!

BERT: Elmo?

ERNIE: Nope. It's our very own Oscar the Grouch!

Ernie leaves the stage with Bert chasing him.

BERT: Yeah--wait! Oscar?!

The camera pans over a New York City skyline until we cut to a psychiatrist's office.

PRAIRIE DAWN (voiceover): Oscar...does it help to have someone to talk to?

Oscar, looking equally grouchy and concerned, looks at Prairie.

Cut to Oscar as a baby.

OSCAR (voiceover): When I was a little monster, my mother said to me...

Cut to Oscar's mother in a bathtub, her hair being washed in mud by her son.

OSCAR (voiceover): ..."Son...you were brought into this world to spread happiness and joy."

Cut to a happy Oscar, dressed as a clown and dancing on the street while honking a horn.

OSCAR (voiceover): "To be a drop of kindness in a sea of mean."

Three thuggish Anything Muppet kids steal the horn and take off with Oscar the Clown chasing after them.

OSCAR: Wait! Police, stop them!

The three AM kids lay a rotten banana peel in a nearby alleyway, which Oscar steps on and trips over.

The kids then take turns kicking Oscar in his groin repeatedly.

PRAIRIE DAWN (voiceover): And how's that going?

OSCAR (voiceover): Not too well.

Cut back to the psychiatrist's office.

OSCAR: The things I've seen, they can make anybody feel a little...grouchy.

Cut to a pan up to the Sesame Street sign.

Cut to a ski mask-wearing Cookie Monster with a large jar of cookies.

COOKIE MONSTER: Oh, me have lot of cookies, all me could ever hope to eat!

As Cookie is about to dig in, we hear the sound of a gun clicking. Cookie frightenedly turns to the off-screen assailant.

GUNMAN (off-screen): You have om-nom-nommed your last cookie, monster.

Cut to a shocked Oscar, watching from an alleyway.

COOKIE MONSTER: Please, sir! Don't shoot me! Me got mommy and baby cousin to support!

As the scene cuts to black, we hear what sounds like a gunshot, but when we cut to the next scene, it's only a cork popped off a champagne bottle by a drunk-looking Ernie.

Oscar approaches Ernie.

ERNIE (in a slurred voice): Howdy, Oscar...! Would you like some champagne? I have glasses!

OSCAR: Uh...no, thanks. I have some chores to do at home.

Oscar runs off.

ERNIE (still with slurred speech): Hey, if you put enough sugar in it, it tastes just like ginger ale!

Cut to a subway train. Oscar sits close to three wealthy monsters trying to rob a little girl of her money.

Oscar notices the action and approaches the monsters.

OSCAR: Hey, leave her alone! Get lost!

The monsters gang up on Oscar.

MONSTER 1: Hey, fuzzy-face! Why are you so grouchy, huh?

MONSTER 2: Yeah, we don't want grouches on Sesame Street.

MONSTER 3: You get lost, loser!

One of the monsters grabs a large, full trash bag and whacks Oscar over the head with it, knocking him out.

MONSTER 1: Freak!

The three monsters laugh as Oscar's face becomes furious.

Cut to white words on a black screen: "THIS FALL"

Oscar, his eyebrow deep in a frown. walks through the neighborhood.

OSCAR (voiceover): For my whole life...

The scene cuts to Muppets in Grouch gear protesting in front of a government building.

OSCAR (voiceover): I thought the world was a happy place...

Cut to those same Grouch attire Muppets and Muppet police officers battling in the street.

OSCAR (voiceover): ...a vast land of joy, with miserable dumps so far and few.

Cut to more white words on a black screen: "TURN THAT SMILE"

Cut to Oscar in the psychiatrist's office.

OSCAR: But now, I know the truth.

Cut to Oscar watching the street riot with a slight smile.

OSCAR (voiceover): This whole world is a miserable dump.

More white words on a black screen: "UPSIDE DOWN"

Cut to Oscar walking by an alleyway, until he spots a trash can. The Grouch smiles and approaches the can.

OSCAR (voiceover): And if I wanted to survive in such a rotten world...

He grabs twelve bags of garbage and throws them in.

OSCAR (voiceover): ...I had to become a symbol, of everything it represents.

Oscar climbs in, holds the can's lid over his head, and slinks inside.

OSCAR (voiceover): And so, I became...

As the lid closes shut on the trash can, the screen cuts to black.

OSCAR (voiceover): ...a Grouch.

A spastic Oscar dances down the "Joker Stairs".

MONOTONOUS SINGING VOICE: I love trash...

TRAILER ANNOUNCER: From the creators of Sesame Street, Dragon Tales, The Electric Company, and Pinky Dinky Doo...

MONOTONOUS SINGING VOICE: Anything dirty or dingy or dusty...

TRAILER ANNOUNCER: ...comes an origin story that no one asked for, but everyone will watch.

MONOTONOUS SINGING VOICE: Anything ragged or rotten or rusty/Yes, I love...

Cut to black, followed by a fade-in to a dressing room. Oscar is talking to Guy Smiley and a stage manager.

OSCAR: And Guy, one small thing.

GUY SMILEY: What's that?

OSCAR: When you bring me out on stage, can you introduce me as Oscar the Grouch?

Smiley and the manager look at each other with confusion.

More white words on a black screen: "GROUCH"

Cut to Oscar opening his trash can lid.

OSCAR: SCRAM!

Cut to a black screen with a white rating logo.

TRAILER ANNOUNCER: Rated R...

Oscar's arm stamps an R on the square in the logo.

TRAILER ANNOUNCER: ...for ragged, rotten and rusty.