The Flames of Love and War/Tropes

Tropes for the film

 * Actor Allusion:
 * After Aqua opposses his plans to destroy the Fire people, Basileus asks if she has gone nuts.
 * Upon learning of Aqua's crush on Phoenix, Amalia shows a level of Genre Saviness you'd expect from Luz Noceda.
 * An Aesop:
 * Racism and prejudice are destructive forces that, if left unchecked, will result in the destruction of all parties involved.
 * Sometimes, love is all it takes to change the world.
 * There's nothing wrong with being curious and embracing what's new. In fact, learning new things can actually be helpful for both yourself and others.
 * War Is Hell and nothing good ever comes from it. The only way to preserve peace is to teach peace so that others do not seek conflict.
 * Awesome Art: The film's hand-drawn animation is a beautiful splash of art and color that feels reminiscent of the Disney Renaissance.
 * Awesome Music: Melissa Ethridge truly rocks it in this soundtrack.
 * Company Cross-References:
 * To The Little Mermaid (1989):
 * Aqua's first scene has her recreating Ariel's iconic hair scene.
 * During the third act, Aqua and Basileus have a discussion about the Fire people that finishes with Aqua admitting her love for Phoenix by saying "Father, I love her!", homaging Ariel and King Triton's argument scene from The Little Mermaid.
 * While trying to convince Phoenix to go.to a dance club, Aqua says the line "We'll have fun. We'll meet new faces" from the Mickey Mouse Club theme song.
 * Fire people release more fire from their body when angered, much like Hades in Hercules.
 * Corrupt Character Copy: Basileus is one to King Triton. Both are prejudiced fathers and kings who try to rein on their daughters' curiosity. However, that's were the similarities stop. Whereas Triton, while trying to discourage Ariel from learning about humans, generally lets his daughter have freedom in her life, Basileus takes active actions to derail Aqua's curiosity via lies and manipulation, leaving her afraid of her own curiosity. In fact, Triton quickly knew he made a mistake when he destroyed Ariel's grotto, yet Basileus has no problems taking his daughter's things on a regular basis and essentially denying her freedom. And, as prejudiced as King Triton was towards humans, he never engaged in any conflict with them and tried to avoid them at all costs. Basileus, on the other hand, engages in a war against the fire people out of each other's prejudice. Finally, Triton learned to let go of his hatred of humans and let his daughter live happily ever after, but Basileus never let his own prejudices go and ends up dying because of it.
 * Darker And Edgier: The film is one of Disney's darkest love stories in animation, with Grey-and-Gray Morality and War Is Hefl being both promenient aspects in addition to its exploration of racism.
 * Does This Remind You of Anything?: After Aqua admits to her father her love for Phoenix, Basileus claims she was "corrupted" and that he will "cure" her after killing her species. Seeing as both are women, this feels eerily similar to coming out to an homophobic parent.
 * Elemental Personalities: Played with. The fire woman Phoenix holds a fiery temper, but otheriwse comes off as cold due to her PTSD. The Water woman Aqua, on the other hand, is ironically the warmer of the two.
 * Establishing Character Moment: We get a look at Phoenix' personality when we see her training. She at first appears to be simply a dedicated soldier. However, when her friends ask her if she wabts to hang out with them, she at first ignores them, before lashing out and claiming she "woke up to how the world" is" before rapidly resuming her training, showing us a hew hints of her PTSD.
 * Heartwarming Moments:
 * Aqua and Phoenix' entire relationship is this. While Phoenix at first hates her and Aqua is indifferent towards Phoenix, the two develop a bond upon getting to know each other more deeply and discpver an emotional connection. They also help each other with their issues, with Phoenix helping Aqua embrace her curiosity and Aqua in turn helping her heal from her battle scars and subsequent guilt. That bond blossoms into a love that manages to end their people's war without bloodshed. By the end of the film, they even get married.
 * Of note is how they avert the Plot-Mandared Breakup so common in these stories. They never stop loving each other after realizing their feelings, nor do they deny them.
 * Upon realizing Phoenix is unwell, Aqua dedicates herself to research on PTSD to help her. And when Phoenix suffers another flashback, Aqua actually puts what she learned to use, helping her to heal.
 * When Amalia finds out Aqua loves the princess of the Fire kingdom, she has no problems with it, nor any of their friends. In fact, Amalia is worried more for Phoenix and her relationship with Aqua.
 * As the navigate througth a river, Phoenix shows Aqua the local flora and fauna. She is marveled by the sights, while Phoenix begins to experience happiness for the first time in years. And when Aqua wants to run alongside some of the creatures, she impulsively grabs Phoenix hand. Instead of being repulsed as she would have been at the beginning, Phoenix is touched. The two soon realize their feelings for each other... and all it takes is a look to each other to make clear that, yes, they feel the same.
 * At the climax, as the battle between the Kimgs destroys everything, the girls make sure to save the other's people, both to further promote a peaceful co-existence and because it's the right thing to do.
 * The looks Aqua and Phoenix give each other as thry go to their honeymoon. Awwww.
 * Inspiration for the Work: Dana Terrace cited The Little Mermaid (1989), Lady and the Tramp, and Fantasia 2000 as inspirarions for the film's animation.
 * Jerkass Woobie: Phoenix can be racist abd quite rude, but its hard to not to feel bad for her upon seeing she suffers from PTSD.
 * Narm Charm: Aqua's comeback to her father's assertion that she dosen't know how to use a sword is a simple "She taught me". This out-of-context seems like a Lame Comeback. However, since Basileus has been telling her to avoid learning anything new in her life, it instead comes off as her rejecting her evil father's teachings.
 * Nightmare Fuel:
 * The opening. After the Disney logos, we see a group of fire soldiers hiding in a trench, as they prepare themselves for an attack by enemy forces. And the water enemies do appear... in planes. We are then followed by a bombing. In a Disney movie. And its clear the fire soldiers are not only losing, but on the verge of death. We even see a few ones dying onscreen. The entire sequence effectively showcases this film will be darker than usual for a Disney love story.
 * The mere fact that two nations have been lead to war by leaders who only want the destruction of the other's race merely because of their own prejudices and feeling that the other should not exist. The worst part? It happened in real life.
 * Aqya and Basileus' discussion is arguably the film's creepiest moment. First, Basileys reveals with a straight face he's planning to commit genocide, as of it was nothing horrifying. And when Aqua reveals she loves Phoenix, Basileus takes on a creepier vibe as he vegons to talk about his daughter being "corrupted" by "monsters" in a fanatical yet silent tone. In that moment it dawns you. She is Alone with a Psycho, and said psycho is her own father. The King. The scene is distressing enought that it makes you wonder what he will do to her. He then crosses the Moral Event Horizon by destroying his daughter's property (which is effectively parental abuse) and ordering his daughter to a dungeon.
 * Oh Crap!: Phoenix' reaction to duscovering Aqua, her only partner in their investigation, has no idea of how to fight is to utter: "Oh, core. We are going to die".
 * Production Posee: Dana Rerrace brought from The Owl House writers Rachael Vine and Molly Osterag and cast memvers Sarah-Nicole Robles, Wendie Malick, Alex Hirsch, Zeno Robinson, Matthew Rhys, and Bumper Robinson.
 * Production Throwback: While different enough to avoud being consodered an Expy, Basileus does share some (superficial) similarities with Emperor Belos, the nsin villsin of director Dana Terrace's show The Owl House: Both are the oppresive leaders of nations who seek to destroy an species out of Fantastic Racism whose reaction to learning a family member has fallen in love with a member of said species is to assume they were enchanted.
 * Realism-Induced Horror: Arguably one of the scariest part of the film is how realistic both war and its psychological effects are potrayed.
 * Rule of Symbolism: While watching the local fauna with Aqua, with whom she is already in love, Phoenix is forced to drop her armor outside of her water-proof suit. Metaphorically, she finally drops her façade and shell of a tough warrior and allows gerself to feel again.
 * Salvaged Story: The film having LGBTQ+ leads is a great relief following Disnry's poor attempts in cinema to potray queer characters. The fact that most of the film's writers are queer certainly helped.
 * Shout-Out:
 * Aqua's look is partially inspired by Ruby Gillman.
 * Phoenix at one point describes Aqua as "the incredibly annoying girl in front of [her] with the staring problem", calling back to episode 2 of The Falcon and the Winter Soldier.
 * Upon learning of the weapon her father created to destroy the fire people, Aqya says "I may not be the smartest water person, but I know what madness is", a paraphrasing if tye line "I may not be a smart person, but I know what love is" from Forrest Gump.
 * The reason behind the war is a darker version of Dr. Seuss' The Butter Battle Book: Both sides hold a strong dislike of each other for being different, that slowly escalates into minor conflicts and later a full-on war. The climax even sees both Fire and Water hilding a weapon capsble of destroying the other, and wait for the other to use it. The depiction of the conflict's beginning is also a darker spin on how the Yookia/Zookia conflict started in Green Eggs and Ham.
 * The scene where Phoenix prevents Vasileus from killing her father was inspired by when Peter-2 stopped Peter-3 from killing the Green Goblin in Spider-Man: No Way Home.
 * Shown Their Work: Phoenix shows a lot of accurate symptoms of war-related PTSD, such as apathy, sleeping problems, and irritability.
 * Sliding Scale of Idealism vs. Cynicism: As dark asthe film gets with its themes of war and prejudice, and its depiction of PTSD, the film ultimateky sits on the Idealistic end of the scale, being ultimately a romantic story about how The Powerof Love can make the world better.
 * Surprisingly Realistic Outcome: Not everyone will buy propaganda, as much as a nation's leader tries. Not only do Aqua's circle of friends and others are show to lack any racism towards the Fire people, but neither do some of the Fire people towarss the Water people whenever Aqua is spotted.
 * They Also Did:
 * Director Dana Terrace and co-writers Rachel Vine and Molly Ostertag were the showrunner and writers, respectively, for Disney's The Owl House.
 * ND Stevenson, showrunner of She-Ra and the Princesses of Power also co-wrote the script, in addition to voicing a character himself.
 * Melissa Ethridge previously wrote song for Disneytoon Studios' Brother Bear 2.
 * Througth the Eyes of Madness: Heavily downplayed, but when the film changes to Phoenix' perspective, it changes to a more aggresive art style. However, this is not to show how Phoenix sees the world, but instead how she perceives it as a product of her PTSD.
 * War Is Hell: Surprisingly for a Disney animated movie, the film goes deep in exploring this. Phoenix even developed PTSD thanks to her experiences as a soldier.
 * Water is Blue: Played with. While the Water people themselves aren't blue, they are shown in blue colors while in their kingdom due to the blue lights in it. Outside it, they are transparent.
 * What Do You Mean Its For Kids?!: Being a love story by Disney may make people think this is good family-friendly fun. But its potrayal of war is eerily realistic and one of the lead characters explicitly suffers from PTSD. Safe to say, this isn't one for little kids.

Tropes for the series

 * Company Cross-References:
 * In episode 1, Aqua and Phoenix watch a photo of them in front of a potrait of The Owl House. Aqua also mentions having met twins named Dipper and Mabel.
 * In episode 3, Aqua hums the song "Try Everything" as she returns home.
 * In a season 2 episode, Aqua narrates her and Phoenix' baby a tale about a beggar who tricks an evil sorcerer into becoming a genie and getting trapped in a lamp, before marrying a princess.
 * Descended Creator: Co-showrunner ND Stevenson voices a shop owner named Nate.
 * The Danza: ND Stevenson, real name Nate Stevenson, voices a character named Nate.
 * Does This Remind You of Anything?: Aqua and Phoenix's relationship is seen with disdain by more conservative groups. Keep in mind both are women and of different races.
 * Surprisingly Realistic Outcome:
 * Even if the war ceased and people are willing to give other races a chance, that dosen't mean race relations magically healed overnight. Racism is still strong and discrimination is still common.
 * Even after the film's events, Phoenix still carries PTSD from her time in war. Because these things take months or even years to heal.
 * Tearjerker: Phoenix' reaction to camera flashlights is to experience a flashback. By the time she's done, she can barely speak.