Thread:Coolot1/@comment-4327179-20200505122337/@comment-4327179-20200505155015

1. Like how?

2. And here's the plot and info about the original King Kong vs. Godzilla film from the Showa era:

NOTE: Be sure to take your time and read it all

The Bering Sea's currents are mysteriously rising in temperature, causing the area's sea ice to melt and break up. The United Nations sends a scientific team to investigate the cause of the phenomenon. The investigation is covered by the Wonderful World Series, a Japanese documentary program, sponsored by Pacific Pharmaceuticals.

Mr. Tako, the advertising department director of Pacific Pharmaceuticals, is frustrated with the television program his company is sponsoring and wants something to boost his ratings. When company botanist Doctor Makioka tells Tako about a giant monster he discovered on the small Faro Island, Tako believes that it would be a brilliant idea "...with a punch" to use the monster to gain publicity. Tako immediately sends two men, Osamu Sakurai and Kinsaburo Furue, to find and bring back the monster from Faro.

Meanwhile, the United Nations submarine Seahawk gets caught in the same iceberg that Godzilla was trapped in by the JSDF seven years earlier in 1955. As an American rescue helicopter circles the iceberg, Godzilla breaks out and heads towards a nearby country's military base. The base's forces are unavailing against Godzilla, who continues southward towards Japan, supposedly returning instinctively. Godzilla's appearance is all over the press, and Tako grows angry as his company's competition profits off of the news. As Tako is complaining about Godzilla's media hype to his employees, one of them exclaims, "And... there's a movie too!"

Meanwhile on Faro Island, a Giant Octopus attacks the local village. The island's giant god, King Kong, finally makes his appearance and defeats the monster. Kong then drinks some red berry juice and falls asleep in the midst of a celebratory dance by the natives. Sakurai and Furue place Kong on a large raft and begin to transport him back to Japan. Back at Pacific Pharmaceuticals, Tako is excited because Kong is now all over the press instead of Godzilla. As Tako is out of the room, one of the employees ask which is stronger between King Kong and Godzilla. Another employee responds, "Stupid, it's not a wrestling match!" Tako walks back in the room and exclaims, "Fantastic! There's an idea!"

Mr. Tako arrives on the Taian Maru, the ship transporting Kong, but unfortunately, the JMSDF also arrive, and order the ship to return to Faro, before boarding the ship to inspect it. During a small scuffle over a detonator, Tako accidentally presses the lever down himself, which fails to blow up the raft, but Kong soon begins to awaken. Sakurai and Furue fire their rifles at the dynamite on the raft, successfully blowing it up. However, Kong survives the explosion and rises from the sea, then travels to Japan alone. As Kong meets up with Godzilla in a valley, Tako, Sakurai, and Furue have difficulty avoiding the JSDF to watch the fight. Eventually they find a spot. Kong throws some large rocks at his opponent, but Godzilla retaliates with his atomic ray, so King Kong retreats.

The JSDF enact countermeasures against both Kong and Godzilla but are mostly ineffective. They set up some power lines around Tokyo filled with a million volts of electricity (compared to the 50,000 volts used against the original Godzilla in 1954). The electricity is too much for Godzilla and drives him away, but it seems to make King Kong stronger. Kong enters Tokyo and kidnaps Sakurai's sister Fumiko, then climbs to the top of the National Diet Building with her in his hand. The JSDF explode capsules full of the berry juice from Faro Island and successfully render Kong unconscious. Tako approved of this plan because he "...didn't want anything bad to happen to Kong." The JSDF then decide to transport Kong via balloons to Mount Fuji, where Godzilla currently is, in hope that they will fight each other to their deaths.

The next morning, Kong is dropped onto Mount Fuji near Godzilla and a great battle ensues. Godzilla eventually knocks Kong unconscious but then a thunderstorm arrives and revives King Kong, giving him the power of an electric grasp. The two clash once again, with Kong shoving a tree in Godzilla's mouth before Godzilla burns the tree with his atomic breath. The two monsters continue fighting, tearing down Atami Castle in the process, and eventually plunge into the sea, causing a small earthquake. After an underwater battle, only King Kong resurfaces, and begins to slowly swim back home to Faro. As Kong swims home, onlookers aren't sure if Godzilla survived the underwater fight, but speculate that it was possible.

An English version of King Kong vs. Godzilla was prepared by producer John Beck, who felt that Toho's version of the film wouldn't play well to American audiences. He hired writers Bruce Howard and Paul Mason to "Americanize" the film. Peter Zinner was brought in as an editor for Beck's version. Among the alterations made for the North American theatrical release are:
 * Dialogue was dubbed at Ryder Sound Services, Inc. in Hollywood. The new dialogue often strayed heavily from the Japanese script. Howard and Mason's script is still comedic at times but eliminates most of the humor in Shinichi Sekizawa's original screenplay. The English dubbing session was completed in a week.[3]
 * Akira Ifukube's musical score was largely replaced by music from the Universal and Mutel libraries. The composers of the added music included Hans J. Salter (The Golden Horde, Thunder on the Hill, Creature from the Black Lagoon, Wichita Town, Against All Flags, Man-Made Monster), Heinz Roemheld (The Monster That Challenged the World), Paul Sawtell, Bert Shefter (The Deerslayer), and Herschel Burke Gilbert (While the City Sleeps).[5]  Ifukube's Faro Island native chant and an exotic jungle cue are the only tracks carried over from the original soundtrack.
 * Deleted: Many of the comic scenes integral in the original storyline. Mr. Tako's initial introduction and other interactions with his staff in the advertising wing of Pacific Pharmaceuticals throughout the course of the film were removed. Tako's motivation for searching for Kong is altered somewhat from simply wanting him to generate publicity for the company to specifically wanting his own monster to compete with Godzilla.
 * Deleted: A scene where Osamu Sakurai plays drums while recording a commercial. Later, Furue tells him he is to go to Faro Island.
 * Shortened: The dinner at Fujita's apartment. Sakurai is not shown coming home from work to find nary a meal or Fumiko present, who has left to have her "fill" at her boyfriend's instead. Sakurai catching the two off guard in a moment of amorousness is not shown, nor is a longer conversation between the trio about Sakurai's trip to Faro Island.
 * Altered: The scenes involving the Seahawk's investigation of the Bering Sea and subsequent destruction by Godzilla have been edited into a continuous sequence.
 * Deleted: A farewell party for Sakurai and Furue.
 * Altered: The subplot of Fujita aboard the ship Shinsei Maru No. 2 to conduct tests on the strength of his high tensile wire. The scene of Fujita talking to the ship's captain, played by Yoshibumi Tajima, about Fumiko is deleted. After he makes an early departure at Nemuro in Hokkaido, Godzilla is blamed for the sinking of the vessel. In the U.S. version's storyline, a fatal plane crash is substituted as the motivation for Fumiko to search for Fujita in Hokkaido, and Fujita tells Tamiye upon returning to Tokyo he missed the flight instead.
 * Deleted: Newspaper inserts headlining Godzilla's attacks.
 * Altered: Godzilla originally attacks the Tsugaru express train near Sendai in the Tohoku region, whereas the U.S. version purports the sequence to take place in Hokkaido.
 * Altered: King Kong and Godzilla's first meeting is shifted to before the scene showing the preparation for Operation: Burial.
 * Altered: The JSDF's preparations and executions of Operation: Burial and Operation: One Million Volts against Godzilla have been condensed into one continuous sequence.
 * Added: Stock aerial views of the Ginza ward in Tokyo were inserted. One in daylight as an establishing shot for the scenes set at the Sakurais' and Fujita's apartment complex, and one at nighttime during Kong's liftoff.
 * Added: Approximately two minutes of stock footage from the film The Mysterians was inserted at various points throughout the film. This includes shots of a forest fire (Godzilla's immolation of the Arctic base), American, British and Soviet officials arriving in Tokyo (the military council's meeting with the scientific advisors), a landslide (Godzilla falling into the giant pit during Operation: Burial), evacuating civilians (Kong's incursion into Tokyo), an establishing shot of Mount Fuji (Kong's transport to Fuji), and a massive column of water (Godzilla and Kong falling into the sea). Most notably, the climatic earthquake is much more powerful in the U.S version, utilizing shots of the ground splitting open and massive tidal waves which flood nearby valleys, in order to make the earthquake much more violent than the tame tremor seen in the Japanese version.
 * The most notable alteration in this version is the addition of new scenes featuring United Nations reporter Eric Carter, played by Michael Keith, paleontologist Dr. Arnold Johnson, played by Harry Holcombe, and Japanese correspondent Yataka Omura, played by James Yagi, in a series of pseudo-news broadcasts. These scenes make changes to the monsters' origins and characteristics, such as suggesting that Kong grew to his gigantic size by eating the berries native to Faro Island (referred to as "Soma" in this version) and that Godzilla has been imprisoned inside the iceberg since the Mesozoic era, ignoring the events of Godzilla and Godzilla Raids Again. Stock footage of the Mysterian Space Station from The Mysterians is added into these scenes to substitute as a United Nations satellite. These segments were directed by Thomas Montgomery over a three day period.[3]  Despite the new footage, the American version runs 91 minutes, six minutes shorter than the Japanese version.